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Abstract

Between

Annalists will continue to record Roman reputations, …

And expound the distentions of Empire,

But for something to read in normal circumstance?

For a few pages brought down from the forked hill unsullied?

I ask a wreath that will not crush my head.

And there is no hurry about it …

(Collected Shorter Poems, 225)

And

And now Propertius of Cynthia, taking his stand among these …

(Collected Shorter Poems, 247)

is The Poem. For what passes between the opening and the poem’s conclusion is a set of variations on what a poet should write about, and what avoid, but especially in time of war. These poems, it has been variously debated, are translations; equally, they are Pound’s poems, taking (their) stand. Is it possible for them to be both?

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References

  • Ezra Pound: Collected Shorter Poems (London, Faber and Faber, 1968 (1952)).

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© 1997 Jon Silkin

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Silkin, J. (1997). Ezra Pound. In: The Life of Metrical and Free Verse in Twentieth-Century Poetry. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-25351-7_3

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