Abstract
It would be a further fifteen years before Mailer would publish his next novel, Ancient Evenings (1983). During the 1970s he consolidated his reputation both as a creative journalist and as a biographer of exceptional achievement in such works as Of a Fire on the Moon (1970) and The Executioner’s Song (1979), with the latter winning Mailer’s second Pulitzer Prize. He remained one of the most energetic contributors to the accelerating revision of American values, most famously perhaps in his response to Kate Millett’s feminist attack upon him in her book Sexual Politics (1970). His published reply, The Prisoner of Sex (1971), was yet another extension of his literary range, being part polemic, part self-study, part literary criticism. Throughout these prolific years Mailer certainly justified Robert Lowell’s description of him as ‘the best journalist in America’1 while at the same time raising doubts about his exhaustion as a writer of fiction. Yet as far back as 1964 he had begun to promise delivery of a novel of the highest quality, one that would establish him without question as a literary artist of the first rank.
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Notes
P. Manso, Mailer: His Life and Times (Harmondsworth, Middx., 1986) p. 665.
In J. M. Lennon (ed.), Conversations with Norman Mailer (Jackson, Miss., 1988) p. 368. See also his interview with M. Lennon, ‘Literary Ambitions’, in Pontifications, pp. 170–71, where he discusses his plans for the trilogy.
‘Norman in Egypt: “Ancient Evenings”’, in H. Bloom (ed.), Norman Mailer (New York, 1986) p. 200.
Norman Mailer, Ancient Evenings (Boston, Mass., 1983) pp. 112–14.
P. Brooks, ‘The Melodramatic Imagination’, Partisan Review, vol. 2 (1972) 204.
Norman Mailer, The Executioner’s Song (Boston, Mass., 1979) p. 692.
James Wolcott, ‘Happy Man Haunted by Papa’, Observer, 13 October 1991, p. 59.
Wilfrid Sheed, ‘Armageddon Now?’, New York Review of Books, 5 December 1991, p. 41.
Paul Gray, ‘Harlot’s Ghost: A Ghastly Tale’, Time, 30 September 1991, p. 70.
Scott Spencer, ‘The Old Man and the Novel’, Guardian, 5 October 1991, p. 20.
Peter Kemp, ‘The Incredible Bulk’, The Sunday Times Review, 20 October 1991, Section 7, p. 2.
John Sutherland, ‘The Paranoia Factory’, The Times Literary Supplement, 18 October 1991, p. 20.
Robert Wilson, ‘Mailer’s Creative Intelligence is Central to “Harlot’s Ghost”’, USA Today, 27 September 1991, p. 5D.
A. Burgess, ‘A Short History of Our Time’, Washington Post Book World, 29 September 1991, p. 1.
E. Hornberger, John Le Carré (London, 1986) p. 26.
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© 1995 Michael K. Glenday
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Glenday, M.K. (1995). From Egypt to Langley: Ancient Evenings, Tough Guys Don’t Dance and Harlot’s Ghost . In: Norman Mailer. Macmillan Modern Novelists. Palgrave, London. https://doi.org/10.1007/978-1-349-24122-4_5
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