Skip to main content

Introduction

Background, Basic Premises, Early Work

  • Chapter
  • 30 Accesses

Abstract

Brian Friel was born in Omagh in Co. Tyrone in 1929, the son of a primary school principal. In the same year the family went to live in the Bogside in Derry. He spent five years at St Columb’s College, Derry and, later, two-and-a-half years at St Patrick’s College, Maynooth, the national seminary near Dublin. Instead of going on for the priesthood, he graduated with a BA and spent a year at St Joseph’s Teacher Training College in Belfast. From 1950 until 1960 he taught in various schools around Derry. Since then he has been writing full-time. Though both he and his father were teachers, his grandparents, he tells us, were illiterate peasants from Co. Donegal whose first language was Irish not English. As Peter Breen notes (in ‘ Place and Displacement in the Work of Seamus Heaney and Brian Friel’, unpublished Ph.D. thesis, Warwick University, 1993), Friel’s own family background bears the marks of the historical divisions between traditional value and the processes of modernity which characterise the larger Irish and Ulster history.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   129.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Des Hickey and Gus Smith (eds), A Paler Shade of Green (London: Leslie Frewin Publishers, 1972), p. 221.

    Google Scholar 

  2. Seamus Deane, ‘Brian Friel’, Ireland Today, 978 (1981), p. 7.

    Google Scholar 

  3. Brian Friel, ‘Self-Portrait’, Aquarius, 3 (1972), p. 17.

    Google Scholar 

  4. Emily Dickinson, Poem 11 in Selected Poems of Emily Dickinson, ed. James Reeves (London: Heinemann, 1988), p. 5.

    Google Scholar 

  5. The remark is Hugh’s in Translations, in Selected Plays of Brian Friel, ed. Seamus Deane (London: Faber, 1984), p. 446.

    Google Scholar 

  6. Brian Friel, ‘Extracts from a Sporadic Diary’, in The Writers: A Sense of Ireland, ed. Andrew Carpenter and Peter Fallon (Dublin: O’Brien Press, 1980), p. 42.

    Google Scholar 

  7. Brian Friel, ‘The Theatre of Hope and Despair’, in Everyman, 1 (1968), p. 18.

    Google Scholar 

  8. Blurb on dustjacket of Ireland’s Field Day (London: Hutchinson, 1985).

    Google Scholar 

  9. Richard Kearney, Transitions: Narratives in Modern Irish Culture (Dublin: Wolfhound Press, 1988), p. 123.

    Google Scholar 

  10. Frank O’Connor, The Lonely Voice (London: Macmillan, 1963), pp. 20–1.

    Google Scholar 

  11. V. S. Pritchett, ‘Short Stories’, in Eugene Current-Garcia and Walton R. Patrick (eds), What is the Short Story? (Glenview, Illinois and Brighton: Scott, Foresman and Co., 1974), p. 117.

    Google Scholar 

  12. Sean O’Faolain, The Short Story (Old Greenwich, Conn.: Devin-Adair Co., 1974), p. 30.

    Google Scholar 

  13. Robert Frost, ‘To the People and the Press’, in E. C. Latham (ed.), Interviews with Robert Frost (New York: Holt, Rinehart and Winston, 1966), p. 169.

    Google Scholar 

  14. Mikhail Bakhtin, ‘The Problem of Text in Linguistics, Philosophy, and the Other Human Sciences: An Essay of Philosophical Analysis’, quoted by Tzvetan Todorov, in Mikhail Bakhtin: The Dialogic Principle (Manchester: Manchester University Press, 1984), p. 68.

    Google Scholar 

  15. Tyrone Guthrie, A Life in the Theatre (London: Hamish Hamilton, 1960), pp. 313–14.

    Google Scholar 

  16. Catherine Belsey, Critical Practice (London and New York: Methuen, 1980), p. 92.

    Book  Google Scholar 

  17. Peter Messent, New Readings of the American Novel (London: Macmillan, 1990), p. 164.

    Google Scholar 

  18. Brian Friel, The Communication Cord (London: Faber, 1983), p. 18.

    Google Scholar 

  19. Mikhail Bakhtin, The Dialogic Imagination: Four Essays, trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1981), pp. 262–3.

    Google Scholar 

  20. Denis Donoghue, We Irish: The Selected Essays of Denis Donoghue (Brighton: Harvester Press, 1987).

    Google Scholar 

  21. Seamus Deane, ‘Heroic Styles: The Tradition of an Idea’, in Ireland’s Field Day (London: Hutchinson, 1985), p. 58.

    Google Scholar 

  22. Thomas Davis, ‘Our National Language’, in Poetry and Ireland Since 1800: A Source Book, ed. Mark Storey (London and New York: Routledge, 1988), p. 46.

    Google Scholar 

  23. Jean-François Lyotard and Jean-Loup Thébaud, Just Gaming, trans. Wlad Godzich (Minneapolis: University of Minnesota Press, 1985), p. 100.

    Google Scholar 

  24. Thomas Davis, ‘Our National Language’, in Mark Storey (ed.), Poetry and Ireland Since 1800: A Source Book (London: Routledge, 1988), p. 46.

    Google Scholar 

  25. This passage, says Pine, ‘becomes the core of the map-making exercise in Translations’. The second statement is from Steiner’s In Bluebeard’s Castle (London: Faber, 1971), p. 21

    Google Scholar 

  26. Richard Pine, Brian Friel and Ireland’s Drama (London: Routledge, 1990), p. 246.

    Google Scholar 

  27. Patricia Waugh, Practising Postmodernism, Reading Modernism (London, Edward Arnold, 1992), p. 50.

    Google Scholar 

  28. T. S. Eliot, The Use of Poetry and the Use of Criticism (London: Faber, 1964), p. 155.

    Google Scholar 

  29. Peter Messent, New Readings of the American Novel (London, Macmillan, 1990), p. 209.

    Google Scholar 

  30. W. H. Auden, ‘In Memory of W. B. Yeats’, in The English Auden, ed. Edward Mendelson (London: Faber, 1977), p. 242.

    Google Scholar 

  31. T. S. Eliot, ‘Religion and Literature’, in Selected Essays (London: Faber, 1969), p. 393.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 1995 Elmer Andrews

About this chapter

Cite this chapter

Andrews, E. (1995). Introduction. In: The Art of Brian Friel. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-23986-3_1

Download citation

Publish with us

Policies and ethics