Abstract
All students of popular culture would acknowledge the intellectual debt they owe to Peter Burke’s seminal study Popular Culture in Early Modern Europe. In this impressively wide-ranging work, Burke laid down a powerful model of cultural change in early modern Europe. Culture he defined as ‘a system of shared meanings, attitudes and values, and the symbolic forms (performances, artifacts) in which they are expressed or embodied’; by popular culture he meant the culture of ‘ordinary people’ or the ‘subordinate classes’, those below the level of the elite (though not necessarily excluding the elite). In the Europe of 1500, according to Burke, ‘popular culture’ was everyone’s culture. Although there existed a separate culture of the learned and educated few — the ‘great tradition’ — the elite at this time also participated in the ‘little tradition’ of the rest. The following three centuries, however, saw an increasing polarisation between these two traditions, with the result that by 1800 European elites ‘had abandoned popular culture to the lower classes, from whom they were now separated, as never before, by profound differences in world view’.
I would like to thank Peter Burke, Martin Ingram and John Rule fortheir comments and criticisms on an earlier draft of this essay.
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Bibliography
The best general European overview is Peter Burke, Popular Culture in Early Modern Europe (London: Temple Smith, 1978 — revised edition Scolar Press, 1994).
For early modern England in particular, see: Barry Reay (ed.), Popular Culture in Seventeenth-Century England (London: Croom Helm, 1985); Eileen and Stephen Yeo (eds), Popular Culture and Class Conflict 1590–1914: Explorations in the History of Labour and Leisure (Brighton: Harvester Press, 1981); J. M. Golby and A. W. Purdue, The Civilisation of the Crowd: Popular Culture in England 1750–1900 (London: B.T. Batsford, 1985); Hugh Cunningham, Leisure in the Industrial Revolution c.1780-c.1880 (London: Croom Helm, 1980); Robert W. Malcolmson, Popular Recreations in English Society 170μ∂0-1850 (Cambridge: Cambridge University Press, 1973); Robert D. Storch (ed.), Popular Culture and Custom in Nineteenth-Century England (London: Croom Helm, 1982); Bob Bushaway, By Rite: Custom, Ceremony and Community in England 1700–1880 (London: Junction Books, 1982). Valuable insights can also be gleaned from: Keith Wrightson and David Levine, Poverty and Piety in an English Village: Terting, 1525–1700 (London: Academic Press, 1979); Keith Wrightson, English Society 1580–1680 (London: Hutchinson, 1980); Tessa Watt, Cheap Print and Popular Piety, 1550–1640 (Cambridge: Cambridge University Press, 1991); E. P. Thompson, Customs in Common (London: Merlin, 1991); Peter Borsay, The English Urban Renaissance: Culture and Society in the Provincial Town 1660–1770 (Oxford: Clarendon Press, 1989).
For some of the conceptual and methodological problems involved in the study of popular culture, see: Tim Harris, ‘The Problem of “Popular Political Culture” in Seventeenth-Century London’, History of European Ideas, x (1989), pp, 43–58; Bob Scribner, ‘Is a History of Popular Culture Possible?’, History of European Ideas, x (1989), pp. 175–91; Steven L. Kaplan (ed.), Understanding Popular Culture: Europe from the Middle Ages to the Nineteenth Century (Berlin: Mouton, 1984).
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© 1995 Tim Harris
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Harris, T. (1995). Problematising Popular Culture. In: Harris, T. (eds) Popular Culture in England, c. 1500–1850. Themes in Focus. Palgrave, London. https://doi.org/10.1007/978-1-349-23971-9_1
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DOI: https://doi.org/10.1007/978-1-349-23971-9_1
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