Abstract
Once, you could be reborn. You became one with the goddess Demeter mourning her daughter Persephone, snatched away to hell for half the year, and you rejoiced with her in the symbolic birth of a holy child, the sight of whom blessed you into eternal life. So secret was this rite that even now we know only the ceremonies which led up to it. The initiates shed all distinctions of sex and status as they washed in the sea, the source of life, and dressed themselves in garments which were ever afterwards holy. They sacrificed pigs, symbols of both decay and fertility. They walked as if in mourning towards a fire so bright it could be seen from miles away, and as their walk drew to an end they crossed a bridge symbolic of the transition from sorrow to joy. On this bridge they encountered the rites known as the gephyrismoi: dirty jokes, songs and dances performed by a woman.
Humourless: the cliché ‘she lacks a sense of humour’ is applied by men to every threatening woman when she does not find the following funny: rape, big breasts, sex with little girls. On the other hand there is no imputation of humourlessness if she does not find impotence, castration and vaginas with teeth humorous. (The Feminist Dictionary)
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Notes
Congreve, A Letter to John Dennis Concerning Humour In Comedy, 10 July 1695. Reproduced in John Hodges, William Congreve: Letters and Documents (Macmillan: 1964).
John Fisher, Funny Way to Be a Hero (Frederick Muller for Granada: 1973) p. 197.
Cited in Dyan Machin, Forbes magazine (November 1987).
Cited Gilbert and C. Roche, A Women’s History of Sex (Pandora: 1989) p. 143.
Quoted in Fidelis Morgan, A Misogynist’s Sourcebook (Jonathan Cape: 1989) p. 126.
Translated by David Rosenberg, The Book of J (Faber & Faber: 1991) p. 71.
Reginald Blyth, Humour in English Literature: A Chronological Anthology (Folcroft: 1959) pp. 14–15. Also exhumed by Regina Barreca (see below). Two readers this decade is more than Blyth deserves.
See Jennifer Coates, Women, Men and Language (Longman: 1986) p. 103.
Liz Lochhead, True Confessions (Polygon: 1985) p. 134.
Lesley Ferris, Acting Women (Macmillan: 1990) p. 29.
Debbie Reynolds, My Life (Pan: 1989) p. 259.
Barbara Windsor, Barbara (Arrow: 1991) p. 70.
Interview with Richard Merryman, 3 August 1962. Printed in Carl E. Rollyson Jnr, Marilyn Monroe: A life of the Actress (UMI Research Press: 1986) p. 208.
Cited in Graham McCann, Marilyn Monroe (Rutgers University Press: 1988) p. 87.
Quoted in Barreca, Last Laughs: Perspectives on Women and Comedy (Gordon and Breach: 1988) p. 4. Her detailed reading of Priestley makes clear how powerful the ‘small potatoes’ technique can be.
Linda Woodbridge, Women and the English Renaissance; Literature and the Nature of Womankind 1540–1620 (University of Illinois Press: 1984) p. 319.
Hélène Cixous, The Newly Born Woman, translated by Betsy Wing (Manchester University Press: 1986) p. 89.
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© 1994 Frances Gray
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Gray, F. (1994). Introduction: or, Why this book does not exist. In: Women and Laughter. Women in Society. Palgrave, London. https://doi.org/10.1007/978-1-349-23275-8_1
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DOI: https://doi.org/10.1007/978-1-349-23275-8_1
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