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Echoes and Correspondences

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Romantic Influences
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Abstract

Virginia Woolf’s ‘old problem’ of keeping the flight of the mind, yet being exact, had been known to many writers in the Romantic tradition. While they tried to express themelves in a free and original manner the development of scientific method was encouraging precision of observation; but the nature of the human psyche made it hard for both activities to subsist satisfactorily at the same time. Once the eye focused on detail, the mind, encouraged to analyse, could no longer take wing.

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8 Echoes and Correspondences

  1. George Herbert, Works edited by F.E. Hutchinson (Oxford 1941) p. 188.

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  2. Thomas Taylor, Dissertation on the Eleusinian and Bacchic Mysteries (Amsterdam 1790) pp. 12–13 (from Enneads I, 6, 8), Quoted Raine, op. cit., I, 176.

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  3. Gerard Manley Hopkins, Poems edited by W. H. Gardner and N. H. Mackenzie (4th ed. 1967) pp. 91–3.

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  4. R M. Rilke, Duino Elegies, edited and translated by J. B. Leishman and Stephen Spender (3rd ed 1948 ) p. 25.

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  5. Thomas Hardy, Complete Poems edited by J. Gibson (1976) pp. 794–5.

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  6. W. B. Yeats, Collected Poems (1950) pp. 363–5.

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  7. J. B. Ebbatson, ‘The Marabar Echo: Forster and Jefferies’, Notes and Queries (August 1978) coma, 334–6.

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  8. A. P. Ganguly, India: Mystic, Complex and Real, An Interpretation of E.M. Forster’s ‘A Passage to India’ (Delhi, 1990) pp. 355–6.

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  9. Paul Fussell, The Great War and Modern Memory (1975) pp. 51–63.

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  10. P.N. Furbank, ‘The Personality of E.M. Forster’, Encounter (Nov. 1970))oocv, 67.

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  11. John Drinkwater, William Morris: a Critical Study (1912) pp. 198–9.

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© 1993 John Beer

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Beer, J. (1993). Echoes and Correspondences. In: Romantic Influences. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-23118-8_8

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