Abstract
We saw in the preceding section that the Russian avant-garde launched a theoretical and actual attack on the monument as the prototype of bourgeois art. The static, individual and fetishised statue can be said to represent the negative pole in ‘left’ aesthetics.
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© 1993 Lars Kleberg
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Kleberg, L. (1993). Theatre as Example. In: Theatre as Action. New Directions in Theatre. Palgrave, London. https://doi.org/10.1007/978-1-349-22867-6_4
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DOI: https://doi.org/10.1007/978-1-349-22867-6_4
Publisher Name: Palgrave, London
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