Abstract
This chapter is devoted to four of Nabokov’s Russian novels, The Defense, The Eye, Laughter in the Dark, and Despair. They were all published in the 1930s, and I propose to discuss them as studies of obsession. This schematic way of proceeding has the advantage of isolating what eventually came to be the central feature of Nabokovian narrative: the plot that organizes itself around one all-consuming idea of the central character. The limitation of this sort of criticism is that at times it can require its practitioners to do so much hacking away at ill-fitting details that they make Procrustes look like a masseur, but I have tried to avoid that in what follows by discussing some of the features that differentiate the novels as well.
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Notes
Brian Boyd, ‘The Problem of Pattern: Nabokov’s Defense’, Modern Fiction Studies, 33 (1987), pp. 575–604. The article is summarized in Boyd, Nabokov: The Russian Years, pp. 333–39.
Sigmund Freud, Civilization and Its Discontents (London: Hogarth Press, 1963) , p. 50.
Contingency, Irony, and Solidarity, pp. 176–77. For a detailed discussion of this question, see Elaine Scarry, The Body in Pain: The Making and Unmaking of the World (New York: Oxford University Press, 1985).
A. D. Nuttall, ‘Crime and Punishment’: Murder as Philosophic Experiment (Edinburgh: Scottish Academic Press for Sussex University Press, 1978), p. 101.
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© 1993 David Rampton
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Rampton, D. (1993). Studies in Obsession: The Defense, The Eye, Laughter in the Dark, and Despair . In: Vladimir Nabokov. Macmillan Modern Novelists. Palgrave, London. https://doi.org/10.1007/978-1-349-22815-7_3
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DOI: https://doi.org/10.1007/978-1-349-22815-7_3
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