Abstract
George Elio’s own political stance was guarded rather than committed. Her writings provide much both of comfort and of discomfort for those of opposing political views. She is quick to point out the inconsistencies of the politically active while coming down equally hard on the politically apathetic. Acutely conscious of the moral complexity of contentious issues, she has an evolutionist’s patience when it comes to reform. She finds humour in the inadequacies of political debate, and tends to judge political failure as deserved. Always tolerant, however, and searching for the positive she offends very few in this area, disappoints some and genuinely amuses most of her readers.
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Notes
Florence Sandler in ‘The Unity of Felix Holt’, in George Eliot: A Centenary Tribute, ed. G. S. Haight and R. T. van Arsdel (London: Macmillan, 1982), pp. 137–52, gives a more positive version of Felix Holt’s refusal to jockey for power, reminding us that ‘the meek may inherit the earth’, p. 146.
K. Chase, in George Eliot: Middlemarch (Cambridge: Cambridge University Press, 1991), p. 44, argues that the moral of Middlemarch’s method is that ‘art, like human community, should seem not a unity that can reconcile life’s multiplex variety, but should seek instead a sympathy prepared to adjust to all the irregularities of the human landscape’. We should, however, still remember that some of the worst irregularities are not there. The home epic has a certain in-built security.
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© 1993 Alan W. Bellringer
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Bellringer, A.W. (1993). Political Change and the Home View: Felix Holt, Middlemarch. In: George Eliot. Macmillan Modern Novelists. Palgrave, London. https://doi.org/10.1007/978-1-349-22810-2_6
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DOI: https://doi.org/10.1007/978-1-349-22810-2_6
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