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‘Magic or Miracles’: The Fallen World of Penelope Fitzgerald’s Novels

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Contemporary British Women Writers

Abstract

Penelope Fitzgerald does not fit easily into the rubric of contemporary British women writers under which these essays are gathered. Born in 1916, she reached adulthood in the decades between the Great War to end all wars and World War Two and published no fiction until 1977 when she was 60. Her closest approach to experiment in the form of her fiction is her frequent use of ironic closures with their attendant ambiguities and a habit of building in very short chapters or simply numbered, seemingly discrete, brief episodes whose sequence creates a significance not apparent in the episode itself. She does not write to explore (or exploit) the wrongs peculiar to female lives, nor is she particularly fond of domestic spaces for her settings. Of the two novels that pay most attention to domestic problems, one, Offshore, has for its home-setting a derelict barge named Grace moored in the Thames Reach near London’s Battersea Bridge, while the other, Innocence, set in Florence, keeps up a rapid movement between a decaying family farm, an abandoned villa, and an ancient Palazzo, now divided into flats. The other five novels are primarily set in work-places: a museum, a bookshop, the central London studios of the BBC, a London school for child-actors, and a Moscow printing shop owned in 1915 by a youngish Englishman.

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A Bibliography of Writings by Penelope Fitzgerald

Novels

  • The Golden Child (London: Duckworth, 1977; New York: Scribner, 1977).

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  • The Bookshop (London: Duckworth, 1978).

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  • Offshore (London: Collins, 1979; New York: Henry Holt, 1979).

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  • Human Voices (London: Collins, 1980).

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  • At Freddie’s (London: Collins, 1982; Boston: Godine, 1985).

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  • Innocence (London: Collins, 1986; New York: Henry Holt, 1986).

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  • The Beginning of Spring (London: Collins, 1988; New York: Henry Holt, 1988).

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  • The Gate of Angels (London: Collins, 1990; New York: Nan A. Talese/Doubleday, 1992).

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Books

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  • The Knox Brothers (London: Macmillan, 1977; New York: Coward, McMann & Geoghegan, 1977).

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  • William Morris, ‘The Novel on Blue Paper’, introduction by Fitzgerald (Dickens Studies Annual: Essays in Victorian Fiction 10 (1982): 143–51).

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  • William Morris, The Novel on Blue Paper, introduced and edited by Fitzgerald (West Nyack, New York: The Journeyman Press, 1982).

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  • L. H. Myers, The Root and the Flower, introduced by Fitzgerald (Oxford: Oxford University Press, 1984).

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  • Charlotte Mew and Her Friends (London: Collins, 1984; American edition: Charlotte Mew and Her Friends: with a Selection of Her Poems. Foreword by Brad Leithauser. Radcliffe Biography Series. Reading, Mass.: Addison-Wesley, 1988).

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  • Mrs [Margaret] Oliphant, Chronicles of Carlingsford: The Rector and The Doctor’s Family, introduction by Fitzgerald (London: Virago, 1986; New York: Penguin, 1986).

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  • Mrs Oliphant, Chronicles of Carlingford: Salem Chapel, introduction by Fitzgerald (London: Virago, 1986; New York: Penguin, 1986).

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  • Mrs Oliphant, Chronicles of Carlingford: The Perpetual Curate, introduction by Fitzgerald (London: Virago, 1987; New York: Penguin, 1987).

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  • Mrs Oliphant, Chronicles of Carlingford: Miss Marjoribanks, introduced by Fitzgerald (London: Virago, 1988; New York: Penguin, 1989).

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  • Mrs Oliphant, Chronicles of Carlingford: Phoebe Junior, introduced by Fitzgerald (London: Virago, 1988; New York: Penguin, 1989).

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Articles and Reviews

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  • ‘Sonata for Second Fiddle’ [A Half of Two Lives: A Personal Memoir by Alison Waley], London Review of Books 4 (7–20 October 1982): 12.

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  • ‘Dear Sphinx’ [The Little Ottleys by Ada Leverson, introduced by Sally Beauman; The Constant Nymph by Margaret Kennedy, introduced by Anita Brookner; The Constant Nymph: A Study of Margaret Kennedy 1896–1967 by Violet Powell], London Review of Books 5 (1–21 December 1983): 19.

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  • ‘The Real Johnny Hall’ [Our Three Selves: A Life of Radclyffe Hall by Michael Baker]. London Review of Books 7 (30 October 1985): 19.

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  • ‘Holy Terrors’ [‘Elizabeth’: The Author of ‘Elizabeth and her German Garden’ by Karen Usborne; Alison Uttley: The Life of a Country Child by Denis Judd; Richmal Crompton: The Woman behind William by Mary Cadogan], London Review of Books 8 (4 December 1986): 18.

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  • ‘Vous etes belle’ [The Lost Domain by Henri Alain-Fournier, translated by H. Davidson; Henri Alain-Fournier: Towards the Lost Domain: Letters from London 1905, edited and translated by W. J. Strachan; Alain-Fournier: A Brief Life 1886–1914 by David Arkell], London Review of Books 9 (8 January 1987) 12.

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  • ‘Various Women’ [A Voyager Out: The Life of Mary Kingsley by Katherine Frank; Marilyn by Gloria Steinem, with photographs by George Barris; Joe and Marilyn: A Memory of Love by Roger Kahn; I leap over the wall by Monica Baldwin, introduced by Karen Karmstrong; Diary of a Zen Nun: A Moving Chronicle of Living Zen by Nan Shin (Nancy Amphoux)], London Review of Books 9 (2 April 1987): 15–16.

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  • ‘Kay Demarest’s War’ [The Other Garden by Francis Wyndham; The Engine of Owl-light by Sebastian Barry; A Singular Attraction by Ita Daly; Cold Spring Harbor by Richard Yates; The Changeling by Catharine Arnold], London Review of Books 9 (17 September 1987): 22.

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  • ‘Dame Cissie’ [Family Memories by Rebecca West, edited by F. Evans; Rebecca West: A Life by Victoria Glendenning], London Review of Books 9 (26 December 1987): 17.

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  • ‘Do You Have the Courage to Cry?’ [The Pilgrim’s Rules of Etiquette by Toghi Modarressi], New York Times Book Review, 13 August 1989, 7.

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  • ‘White Nights’ [In the Beginning by Irina Ratushinskaya; Goodnight by Abram Tertz; Comrade Princess: Memoirs of an Aristocrat in Modern Russia by Ekaterina Meshcherskaya], London Review of Books, 18 (11 October 1990).

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  • ‘The Great Encourager’ [Ford Madox Ford by Alan Judd], New York Times Book Review (10 March 1991): 7.

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  • Book Review [A Very Close Conspiracy: Vanessa Bell and Virginia Woolf by Jane Dunn], The Charleston Magazine 3 (Summer/Autumn 1991): 42–4.

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  • ‘Luck Dispensers’ [The Kitchen God’s Wife by Amy Tan], London Review of Books (11 July 1991): 19.

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  • ‘Good as Boys’ [The Type of Girl: A History of Girls’ Independent Schools by Gillian Avery; There’s Something about A Convent Girl by Jackie Bennett and Rosemary Forgan], London Review of Books (15 August 1991): 23.

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  • ‘Fried Nappy’ [The Van by Roddy Doyle, London Review of Books (12 September 1991): 16.

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  • ‘Children’s Children’ [Grandmothers Talking by Nell Dunn], London Review of Books (7 November 1991): 7.

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  • ‘Lasting Impressions’ [The Kelmscott Press: A History of William Morris’s Typographical Adventure by William S. Peterson], The New York Times Book Review (15 December 1991): 19.

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A Bibliography of Writings about Penelope Fitzgerald

  • Brookner, Anita, ‘Moscow Before the Revolution’ [The Beginning of Spring], The Spectator (1 October 1988): 29–30.

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  • Brookner, Anita, ‘Daisy Pulls It Off’ [The Gate Of Angels], The Spectator (1 September 1990): 31–2.

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  • Byatt, Antonia, ‘The Isle Full of Noises’ [Human Voices], Times Literary Supplement (26 September 1980): 1057.

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  • Callendar, Newgate, The Golden Child, New York Times Book Review (1 April 1979): 21.

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  • Cole, Catherine Wells, ‘Penelope Fitzgerald’, in Dictionary of Literary Biography 14, ed. Jay L. Halio, British Novelists since 1960, Part I: A-G (Michigan: Gale, 1983): 302–8.

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  • Glendinning, Victoria, ‘Between Land and Water’ [Offshore], The Times Literary Supplement (23 November 1979): 10.

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  • Heller, Zoe, ‘Affairs of the Heart in Defiance of Reason’ [The Gate of Angels], Independent (25 August 1990): 29.

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  • Hosmer, Robert E. Jr., ‘Penelope Fitzgerald’, An Encyclopaedia of British Women Writers, ed. Paul Schlueter and Jane Schlueter: 176–178 (New York and London: Garland, 1988).

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  • Hosmer, Robert E. Jr., ‘Penelope Fitzgerald’, Dictionary of British Women Writers, ed. Janet Todd: 252–4 (London: Routledge, 1989).

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  • Kellaway, Kate, ‘A Bicycle Made for Two’ [The Gate of Angels], The Listener (23 August 1990): 24.

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  • Kermode, Frank, ‘The Duckworth School of Writers’ [Human Voices] London Review of Books (20 November–4 December 1980): 18.

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  • Lee, Hermione, ‘Down by the Thames’ [Offshore], The Observer (2 September 1979): 37.

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  • Lively, Penelope, ‘Five of the Best’ [Human Voices], Encounter (January 1981): 53–9.

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  • Lively, Penelope, ‘Backwards and Forwards: Recent Fiction’ [At Freddie’s], Encounter (June–July 1982): 86–91.

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  • Longford, Frank, ‘A Unique Quartet of Brothers’ [The Knox Brothers], Contemporary Review (April 1978): 216–18.

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  • ‘The Old Firm’ [Edward Burne-Jones: A Biography], The Economist (27 September 1975): 119.

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  • ‘Penelope Fitzgerald’, Contemporary Literary Criticism 51: 123–27 (Michigan: Gale, 1989).

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  • Plunket, Robert, ‘Dear, Slovenly Mother Russia’ [The Beginning of Spring], New York Times Book Review (7 June 1989): 15.

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  • Rumens, Carol, ‘Assaults on the Rational’ [The Gate of Angels], New Statesman (1 September 1990): 31–2.

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  • Stead, C. K., ‘Chiara Ridolfi’ [Innocence], London Review of Books (9 October 1986): 21–2.

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  • Walters, Margaret, ‘Women’s Fiction’ [The Beginning of Spring], London Review of Books (13 October 1988): 20.

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  • Ward, Elizabeth, ‘Love in Florence’ [Innocence], Washington Post Book World 12 July 1987: 4.

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© 1993 Robert E. Hosmer Jr.

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Sudrann, J. (1993). ‘Magic or Miracles’: The Fallen World of Penelope Fitzgerald’s Novels. In: Hosmer, R.E. (eds) Contemporary British Women Writers. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22565-1_6

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