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‘See Me As Sisyphus, But Having A Good Time’: the Fiction of Fay Weldon

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Contemporary British Women Writers

Abstract

Fay Weldon writes survival manuals for women. Her fiction demonstrates the value of female independence, not only financial, but emotional. Even her luckiest characters live precariously. Sooner or later a heroine’s husband will run away with a younger woman, or a damaging secret come to light from the past, or her boss give her the sack in a fit of sexual pique, or her landlord will evict her for the same reason. Then she will find out about life ‘down among the women’, a phrase made famous by the publication of Weldon’s second novel. Here circumstances are reduced and the wages exploitative; friends gossip and old lovers find good reasons for not helping. But Weldon’s overall message is optimistic, and escape routes are provided for any woman who realizes that she is in part responsible for her own destiny.

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A Bibliography of Writings by Fay Weldon

Novels

  • The Fat Woman’s Joke (London: MacGibbon and Kee, 1967; Coronet, 1988. American edition: … And the Wife Ran Away, New York: McKay, 1968).

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  • Puffball (London: Hodder and Stoughton, 1980; Coronet, 1981. New York: Summit, 1980).

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  • The President’s Child (London: Hodder and Stoughton, 1982; Coronet, 1983. New York: Viking, 1983).

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  • The Life and Loves of a She-Devil (London: Hodder and Stoughton, 1983; Coronet, 1984. New York: Pantheon, 1984).

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  • The Shrapnel Academy (London: Hodder and Stoughton, 1986; Coronet, 1986. New York: Viking, 1987).

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  • The Rules of Life (London: Century Hutchinson, 1987; Arena, 1988. New York: Harper and Row, 1987).

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  • Leader of the Band (London: Hodder and Stoughton, 1988. New York: Viking, 1989).

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  • The Cloning of Joanna May (London: William Collins, 1989. New York: Viking, 1990).

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  • Life Force (London: Penguin, 1992. New York: Viking, 1992).

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Stories

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  • ‘The Gift of Life’, Fiction Magazine, 2.2. (Autumn 1983): 37.

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  • ‘The Officer Takes a Wife’, Redbook (October 1984): 72+.

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  • Polaris and Other Stories (London: Hodder and Stoughton, 1985; Coronet, 1988. New York: Penguin, 1989).

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Plays

Miscellaneous

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  • A Small Green Space, libretto, music by Ilona Sekacz. First performed by the English National Opera, London, June 1989.

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  • ‘Suture Shock’, Mirabella (July 1989): 52+.

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  • Sacred Cows: Counterblast No. 4 (London: Chatto and Windus, 1989).

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A Bibliography of Writings about Fay Weldon Articles and Reviews

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  • Jones, Lewis, ‘Airport’ [The President’s Child], New Statsman (24 September 1982): 30.

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  • Kakutani, Michiko, ‘In Fay Weldon’s New Novel, The Devil Is a Man’ [The Cloning of foanna May], The New York Times (16 March 1990): C34.

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  • Kemp, Peter, ‘Go to Work on an Ovum’ [Puffball], The Listener (21 February 1980): 254–5.

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  • Kemp, Peter, ‘Packaging from the Pulpit’ [Watching Me, Watching You], TLS (22 May 1981): 562.

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  • Kenyon, Olga, ‘Fay Weldon’, in Women Novelists Today, ed. by Kenyon(Brighton: Harvester, 1988): 104–28.

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  • King, Francis, ‘Obstetricks’ [Puffball], The Spectator (1 March 1980): 22.

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  • Kitchen, Paddy, ‘Conjuror’s Trick’ [Letters to Alice], The Times Educational Supplement (11 May 1984): 27.

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  • Krouse, Agate Nesaule, ‘Feminism and Art in Fay Weldon’s Novels’, Critique: Studies in Modern Fiction, 22, no. 2 (1978): 5–20.

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  • Lasdun, James, ‘Pig Stys’ [Watching Me, Watching You], The Spectator (11 July 1981): 22.

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  • Lipson, Eden Ross, ‘The Life and Loves of Fay Weldon’, Lear’s (January 1990): 112–15.

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  • Maddocks, Melvin, ‘Mothers and Masochists’ [Down Among the Women], Time (26 February 1973): 91.

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  • Motion, Joanna, ‘Letters to Alice: On First Reading fane Austen — Fay Weldon’, TLS (6 July 1984): 763.

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  • Naughton, John, ‘Family Lives’ [Watching Me, Watching You], The Listener (28 May 1981): 717.

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  • Prose, Francine, ‘The Future Imperfecf [Darcy’s Utopia], The Washington Post Book World (10 March 1991): 1–2.

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  • Rafferty, Terence, ‘Books: She-Devil’ [The Hearts and Lives of Men] The New Yorker (1 August 1988): 66–8.

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  • Rich, Frank, ‘Fay Weldon Offers “After the Prize”’ [‘After the Prize’], The New York Times (24 November 1981): 22.

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  • Rinzler, Carol E., ‘Hell Hath No Fury’ [The Life and Loves of a She-Devil], Washington Post Book World (30 September 1984): 1–2.

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  • Sage, Lorna, ‘Aunt Fay’s Sermons’ [Letters to Alice], The Observer (13 May 1984): 23.

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  • Sage, Lorna, ‘Soul Sisters’ [The Cloning of Joanna May], Observer (7 May 1989): 32.

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  • Simon, John, ‘Soldiers and Sisters’ [After the Prize’], The New York Times Magazine (7 December 1981): 159; 162.

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  • Smith, Joan, ‘The Four of Us’ [The Cloning of Joanna May], Guardian (5 May 1989): 29.

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  • Sternhell, Carol, ‘Fay Weldon’s Dangerous Dreams’ [The President’s Child], The Village Voice (19 July 1983): 34.

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  • White, Diane, ‘“I Write the Books I Want to Read”: Fay Weldon Speaks from the Heart’, The Boston Globe (30 March 1988): 67+.

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  • Wilde, Alan, ‘Bold, But Not Too Bold: Fay Weldon and the Limits of Poststructuralist Criticism’, Contemporary Literature 29, 3 (Fall, 1988): 403–19.

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Interviews

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  • Dunn, Elisabeth, ‘Among the Women’, Sunday Telegraph Magazine (16 December 1979): 55; 58; 61; 64.

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  • Purvis, Libby, ‘The Case for Utopia Unlimited’, London Times (17 September 1990): 18.

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Miscellaneous

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Authors

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© 1993 Robert E. Hosmer Jr.

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Newman, J. (1993). ‘See Me As Sisyphus, But Having A Good Time’: the Fiction of Fay Weldon. In: Hosmer, R.E. (eds) Contemporary British Women Writers. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22565-1_10

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