Abstract
In an essay called ‘Coming in from the Cold’,1 Alice Walker writes about the word ‘mammy’. She considers the racist stereotype associated with the word and explains her own decision to use it in The Color Purple.2 She concludes her discussion thus:
And yet, we can learn from what has happened to ‘mammy’ too. That it is not by suppressing our own language that we counter other people’s racist stereotype of us, but by having the conviction that if we present the words in the context that is or was natural to them, we do not perpetuate these stereotypes, but, rather, expose them. And, more important, we help the ancestors in ourselves and others continue to exist. If we kill off the sound of our ancestors, the major portion of us, all that is past, that is history, that is human being is lost, and we become historically and spiritually thin, a mere shadow of who we were on earth. (p. 62)
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Notes
Alice Walker, The Color Purple. ( London: The Women’s Press, 1983 ).
Alice Walker, Meridian ( London: The Women’s Press, 1982 ).
Margaret Homans, ‘Her Very Own Howl’, Signs (Winter 1983 ).
Toni Morrison, Sub ( London: Triad/Granada, 1982 ).
Alice Walker, The Third Life of Grange Copeland ( London: The Women’s Press, 1985 ).
Lauren Perlant, ‘Race, Gender and Nation in The Color Purple’, Critical Inquiry, vol. 14, no. 4 (1988).
Trudier Harris, ‘On The Color Purple, Stereotypes and Silence’, Black American Literature Forum, vol. 18, no. 4 (1984).
Cora Kaplan, Sea Changes: Culture and Feminism ( London: Verso, 1986 ).
Alice Walker, The Temple of My Familiar ( London: The Women’s Press, 1989 ).
Editor information
Editors and Affiliations
Copyright information
© 1993 Palgrave Macmillan, a division of Macmillan Publishers Limited
About this chapter
Cite this chapter
Hall, C. (1993). Art, Action and the Ancestors: Alice Walker’s Meridian in its Context. In: Wisker, G. (eds) Black Women’s Writing. Insights. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22504-0_6
Download citation
DOI: https://doi.org/10.1007/978-1-349-22504-0_6
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-52253-0
Online ISBN: 978-1-349-22504-0
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)