Abstract
The poet and writer Albert Ehrenstein represents a fascinating and neglected case study of Jewish artistic existence in pre-1939 Austria. Ehrenstein’s literary oeuvre as well as his biography may be viewed as symptomatic of the precarious position of the Jews in fin-de-siècle Austria, an empire whose so-called ‘liberal’ era was coming to an end and where anti-Semitism and nationalism had already begun to manifest their destructive powers. The notion of living in spiritual exile within Austrian society is a recurring theme in all of Ehrenstein’s writings. It can be considered to be the key to the comprehension of his works, to his self-understanding as a writer and his perception of the world. The feeling of living in spiritual exile was, however, by no means unique to Albert Ehrenstein. Born in Vienna in 1886 he shared this feeling with the whole generation of Austrian expressionists, to whom he belonged as their earliest representative. Protesting against conservative tastes in literature and the arts as well as against the repressive social and political conditions in Austria, expressionist writers were relegated to the position of outsiders. Indeed, to this very day Austrians only reluctantly deal with the expressionist movement in the discussion of Austrian culture around the turn of the century and between the two world wars, since the dissonances which these writers exposed and represented do not readily fit into the harmonizing picture that official Austrian cultural politics likes to paint of those times. If Ehrenstein the expressionist was an outsider, however, he was doubly one as a member of the Jewish minority in Austria.
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Notes
Michael Pollak, ‘Cultural Innovation and Social Identity’, in ivar Oxaal, Michael Pollak and Gerhard Botz (eds), Jews, Antisemitism and Culture in Vienna (London and New York, 1987), p. 64.
Albert Ehrenstein, ‘Menschlichkeit’, in his Den ermordeten Brüdern (Zürich, 1919), p. 11.
Albert Ehrenstein, ‘Vom deutschen Adel jüdischer Nation’, in his Menschen und Affen (Berlin, 1966), p. 54.
Albert Ehrenstein, Tubutsch, Erzählung. Mit zwölf Zeichnungen von Oskar Kokoschka (Vienna and Leipzig, 1911).
Armin A. Wallas, ‘Zwei Seelenaufschlitzer oder: Albert Ehrensteins und Oskar Kokoschkas Reisen durch imaginäre und reale Wüsten’, in Österreichisches Literaturforum, vol. 2, no. 2 (June 1988), p. 18.
William M. Johnston, The Austrian Mind. An Intellectual and Social History 1848–1938 (Berkeley, Los Angeles, and London, 1972), p. 27.
Albert Ehrenstein, ‘Lebensbericht’, in his Mein Lied (Berlin, 1931).
In Albert Ehrenstein, Der Selbsmord eines Katers (Munich and Leipzig, 1912).
Albert Ehrenstein, ‘Der Fluch des Magiers Anateiresiotidas’, Der Sturm, vol. 1, no. 26 (1910), pp. 204 ff; no. 27, pp. 212 ff.
Albert Ehrenstein, ‘Liebe’, in Saturn, vol. 4 (1914).
Albert Ehrenstein, Der Mensch schreit (Leipzig, 1916).
Albert Ehrenstein, Die rote Zeit (Berlin, 1917).
Albert Ehrenstein, ‘Volkshymne’, in his Die weiße Zeit (Munich, 1914).
Albert Ehrenstein, ‘Stimme über Barbaropa’, in his Den ermordeten Brüdern (Zürich, 1919).
Albert Ehrenstein, Briefe an Gott (Leipzig and Vienna, 1922).
Schi-King. Das Liederbuch Chinas. Gesammelt von Kung-Fu-Tse. Hundert Gedichte. Dem Deutschen angeeignet. Nach Friedrich Rückert von Albert Ehrenstein (Leipzig, Vienna, Zürich, 1922).
Albert Ehrenstein, ‘Epilog’, in his Mein Lied, 1900–1931 (Berlin, 1931), p. 313.
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© 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Mittelmann, H. (1992). Albert Ehrenstein and the Tragedy of Exile. In: Wistrich, R.S. (eds) Austrians and Jews in the Twentieth Century. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22378-7_7
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DOI: https://doi.org/10.1007/978-1-349-22378-7_7
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