Abstract
‘Surface’, the key name in the play, is the key to its interpretation. It is a comedy about the difficulty of getting at the truth of things, the ease with which people can be deluded by false surfaces. The whole of Act I and part of Act II are set among the scandalmongers, who are seemingly engaged full-time in the business of falsification, blackening character and blowing up rumours and wisps of gossip into full-bodied, “circumstantial’ accounts. The theme of ‘false impressions’, staple of sentimental comedy, is given a new twist which relates it to Sheridan’s personal experience and to his psychological penetration, not least into himself.
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© 1992 Katharine Worth
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Worth, K. (1992). ‘The School for Scandal’. In: Sheridan and Goldsmith. English Dramatists. Palgrave, London. https://doi.org/10.1007/978-1-349-22261-2_7
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DOI: https://doi.org/10.1007/978-1-349-22261-2_7
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-44611-9
Online ISBN: 978-1-349-22261-2
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