Abstract
Born in 1819, Mary Ann Evans — who was later to assume the names ‘Marian Evans’, ‘Marian Lewes’ and ‘George Eliot’ — was the third child and second daughter of Christiana Pearson Evans and Robert Evans of Warwickshire. Biographies of George Eliot have, with a few exceptions, ignored the influence of Pearson Evans on her daughter, while elaborating at length on the father’s impact. In part, this imbalance can be attributed to the fact that Pearson Evans died when Eliot was only sixteen years old: there is simply not much evidence about their relationship. This fact does not account, however, for the extent to which Eliot’s mother has been demonised by those biographers who do not ignore her. A common theory is that the birth of Pearson Evans’s third child harmed her health, that she blamed the young Mary Ann for this, and that she punished her by sending her to boarding school at the age of five. The theory of maternal rejection can be traced back to an earlier assumption — based on comments by Eliot’s husband, John Cross — that Pearson Evans is the original for some of Eliot’s unpleasant and tyrannical characters: Mrs Hackit of Scenes of Clerical Life, Mrs Poyser of Adam Bede, and the Dodson sisters of The Mill on the Floss.
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Notes
Karen Mann, The Language that Makes George Eliot’s Fiction (Baltimore, Md, Johns Hopkins University Press, 1983) pp. 192–3.
John Cross, George Eliot’s Life as Related in Her Letters and Journals (1885; Edinburgh, Blackwood, 1887) p. 17.
Hilary Fraser, Beauty and Belief: Aesthetics and Religion in Victorian Literature (Cambridge, Cambridge University Press, 1986) p. 168.
Nina Auerbach, Woman and the Demon: The Life of a Victorian Myth (Cambridge, Mass., Harvard University Press, 1982) p. 118.
Ruby Redinger, George Eliot: The Emergent Self (New York, Knopf, 1975) pp. 201
Rosalind Wade, ‘George Eliot’s Wedding’, Contemporary Review 236 (1980): 266–7.
Richard Ellmann, ‘Dorothea’s Husbands’, Golden Codgers: Biographical Speculations (London, Oxford University Press, 1973) p. 30.
Haight, Introd. to K.A. McKenzie, Edith Simcox and George Eliot (London, Oxford University Press, 1961) p. xvi.
George Eliot, ‘Art and Belles Lettres’, Westminster Review 65 (1856): 643
Gillian Beer, George Eliot (Bloomington, Ind., Indiana University Press, 1986) p. 40.
Sandra M. Gilbert, ‘Life’s Empty Pack: Notes toward a Literary Daughteronomy’, Critical Inquiry 11 (1985): 380–1
Uglow, p. 84; Patricia Thomson, George Sand and the Victorians: Her Influence and Reputation in Nineteenth-Century England (London, Macmillan, 1977) p. 158.
Alexander Welsh, George Eliot and Blackmail (Cambridge, Mass., Harvard University Press, 1985) p. 116
Elaine Showalter, A Literature of Their Own: British Women Novelists from Brontë to Lessing (Princeton, NJ, Princeton University Press, 1977) p. 58
Henry Crabb Robinson, Henry Crabb Robinson on Books and Their Writers, ed. Edith J. Morley, 3 vols (London, Dent, 1938) 2
Georgiana Burne-Jones, Memorials of Edward Burne-Jones, 2 vols (New York, Macmillan, 1904) vol. 2, p. 104.
Deirdre David, Intellectual Women and Victorian Patriarchy (Ithaca, NY, Cornell University Press, 1987) p. x.
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© 1992 Kristin Brady
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Brady, K. (1992). Woman Writing: George Eliot’s Life. In: George Eliot. Women Writers. Palgrave, London. https://doi.org/10.1007/978-1-349-21899-8_2
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DOI: https://doi.org/10.1007/978-1-349-21899-8_2
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