Abstract
In 1982, if the British right is to be believed, the Lion roared once more over an obscure group of islands usually described as ‘windswept’, ‘barren’, and ‘inhabited mainly by sheep’. The Falklands became the site of the war which put the ‘great’ back in ‘Great Britain’, and the ‘united’ back in ‘United Kingdom’. That unfailing barometer of ultra-right-wing sentiment, the British Football Fan Abroad, was still celebrating this notion even when the England team was being defeated by Argentina (through a typically-dago dirty trick) in the World Cup of 1986. The so-called ‘Falklands Factor’ not only put Margaret Thatcher back in Downing Street the following year (and again in 1987), it also made the post-Falklands Conservative Party a very different animal from the pre-Falklands version. The war gave the party, if not 007’s licence to kill, a licence to rule apparently indefinitely.
Argentina, Argentina, what’s it like to lose the war?
What’s it like to lose the war?
(World Cup Football Chant 1982–1986. Tune: ‘Bread of Heaven’)
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Notes
Anthony Barnett, Iron Britannia: why Parliament waged the Falklands War (Allison and Bushy: 1982) p. 20.
John and Robert Lawrence, When the Fighting is Over: Tumbledown (London: Bloomsbury, 1988) p. 15.
Charles Wood, Tumbledown (Harmondsworth: Penguin, 1987) p. xiii.
John Ellis, Visible Fictions: cinema, television, video (London: Routledge, 1985) p. 182.
Ian Curteis, The Falklands Play (London: Hutchinson, 1987) p. 11.
Steven Berkoff, Sink the Belgrano! (London: Faber, 1987) p. 3.
See Robert Harris, Gotcha! The Media, The Government and the Falklands Crisis (London: Faber, 1983) p. 69.
Bertolt Brecht, The Messingkauf Dialogues, trans. John Willett (London: Methuen, 1985) p. 32.
For further details, see my article ‘Verbatim Theatre: oral history and the documentary method’, New Theatre Quarterly, 3, 12 (1987) pp. 317–336.
Tony Marchant, Welcome Home (London: Methuen, 1983); Nick Perry, Arrivederci Millwall (London: Faber, 1987); Steven Berkoff, op. cit.
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© 1992 Editorial Board, Lumière (co-operative) Press
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Paget, D. (1992). Oh What a Lovely Post-modern War: Drama and the Falklands. In: Holderness, G. (eds) The Politics of Theatre and Drama. Insights. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21792-2_9
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