Abstract
Ben Jonson’s masques rely to an extent on Italian court entertainments. He did not advertise this connection, in fact he kept it rather dark, but it has gradually come to light.1 Rather than rehearse his borrowings, I want to discuss the general context in which they were made. This is not plain to see because, although Jonson practised a doctrine of imitation, he imitated the classics. He affirms this in his first published masque text, and almost in the same breath is very rude about modern Italian culture. He seems to insist that the kind of masque he is going to write defines its character partly by exclusion, by keeping Italian influence at bay.
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Further Reading
Blumenthal, Arthur R., Theatre Art of the Medici (Dartmouth, 1980).
Creigh, Geoffrey, ‘Samuel Daniel’s Masque of The Vision of the Twelve Goddesses’, Essays and Studies, XXIV (1971) pp. 22–35.
Gordon, D. J., The Renaissance Imagination (Berkeley, Los Angeles and London, 1975).
Hathaway, Baxter, The Age of Criticism: the late Renaissance in Italy (Ithaca, N. Y. , 1962).
Lindley, David (ed.), The Court Masque (Manchester, 1984).
Lindley, David (ed.). Thomas Campion (Leiden, 1986).
Mamone, Sara, Il teatro nella Firenze medicea (Milan, 1981).
Minor, Andrew C. and Bonner Mitchell (edd.), A Renaissance Entertainment: Festivities for the Marriage of Cosimo I, Duke of Florence, 1539 (Missouri, 1968).
Nagler, A. M., Theatre Festivals of the Medici, 1539–1637 (New Haven and London, 1964).
Orgel, Stephen, The Jonsonian Masque (Cambridge, Mass., 1965).
Orgel, Stephen and Roy Strong, Inigo Jones. The Theatre of the Stuart Court, 2 vols. (Berkeley, Los Angeles and London, 1973).
Strong, Roy, Art and Power: Renaissance Festivals 1450–1650 (Woodridge, 1984).
Weinberg, Bernard, A History of Literary Criticism in the Italian Renaissance, 2 vols (Chicago, 1961).
Welsford, Enid, The Court Masque (Cambridge, 1927).
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© 1991 J. R. Mulryne and Margaret Shewring
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Peacock, J. (1991). Ben Jonson’s Masques and Italian Culture. In: Mulryne, J.R., Shewring, M. (eds) Theatre of the English and Italian Renaissance. Warwick Studies in the European Humanities. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21736-6_4
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DOI: https://doi.org/10.1007/978-1-349-21736-6_4
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