Abstract
In one programme of the second television series of The Young Ones (BBC, 1984) RIK boasts of a particular ‘successful’ sexual encounter:
NEIL: What, you mean, you like — scored — with a chick?
RIK: Well of course I wouldn’t put it in such sexist terms, NEIL — but, er (modestly) yes …
MIKE: Now wait a minute, RIK, I’m the one who gets the girls around here, there could be a copyright problem.
VIVIAN: But I don’t understand. How? Was she unconscious?
RIK: What, VIVIAN — do I detect a little spark of jealousy?
VIVIAN: I’m not jealous. I find the idea of spending the night with you completely revolting.
RIK: You know perfectly well what I mean. Just because I was the most raunchy and attractive guy at the party last night.
NEIL: What do you mean, RIK, you passed out after half a glass of cider.
RIK: Did I? Blimey, that was a bit anarchic! Well, it just goes to show you, NEIL — even when I’m unconscious I can pick up the birds … I mean forge meaningful relationships with birds … er, chicks, tarts … women, women …
(Wilmut and Rosengard, 1989)
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© 1991 David Ian Birch
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Birch, D. (1991). Cultural Power. In: The Language of Drama. The Language of Literature. Palgrave, London. https://doi.org/10.1007/978-1-349-21459-4_6
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DOI: https://doi.org/10.1007/978-1-349-21459-4_6
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-51638-6
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