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The Concept of Artistic Paternity in “Scylla and Charybdis”

  • Daniel R. Schwarz
Chapter

Abstract

To suggest his own biographical relationship to Ulysses Joyce has Stephen propose his expressive theory of the relationship between Shakespeare’s art and life. What makes Shakespeare a man of genius is that he encompassed in his vision “all in all in all of us” (U.213; IX.1049–50). Joyce recreates Shakespeare according to his own experience of him and thus becomes the father of his own artistic father and the artist whose imagination is so inclusive and vast that it contains the “all in all” of Shakespeare plus the very substantial addition — or, in current terminology, the supplement — of his own imagination. Like Joyce, Shakespeare used the details of everyday life for his subject: “All events brought grist to his mill” (U.204; IX.748). The major creative artist discovers in his actual experience the potential within his imagination: “He found in the world without as actual what was in his world within as possible” (U.213; IX.1041–2).

Keywords

Legal Fiction Holy Ghost Artistic Maturity Platonic Dialogue Young Artist 
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Notes

  1. 3.
    M. H. Abrams, “English Romanticism: the Spirit of the Age”, in Romanticism and Consciousness, ed. Harold Bloom. (New Haven, Conn.: Yale University Press, 1970) p. 102.Google Scholar
  2. 8.
    Quoted by Grace Glueck, “Joan Miro Exhibit, Sculpture and Ceramics”, The New York Times, 4 May 1984, p. C24.Google Scholar

Copyright information

© Daniel R. Schwarz 1987

Authors and Affiliations

  • Daniel R. Schwarz
    • 1
  1. 1.Cornell UniversityUSA

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