Abstract
Because realism has been such a pervasive narrative mode, other modes have had to find strategies for taking advantage of it in order to subvert or escape from it. Two of the commonest strategies of fantasy fiction are the use of plain diction and the use of transformation or metamorphosis scenes. Both are embedded in the tradition of romantic prose fantasy normally considered to have been established by William Morris. But Morris’s successors often have occasion to depart from one or both of these strategies. Constraints as well as advantages lie in their use, and many subsequent writers, lacking the philosophical and cultural values that predisposed Morris almost habitually to use them, found good reason at least occasionally to abandon them.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Works Consulted
Peter Faulkner (ed.), William Morris: The Critical Heritage (London: Routledge & Kegan Paul, 1973).
Colin Franklin, Printing and the Mind of Morris: Three Paths to the Kelmscott Press (Cambridge: Rampant Lions Press, 1986).
C. S. Lewis, ‘The Mythopoeic Gift of Rider Haggard’ (originally ‘Rider Haggard Rides Again’, Time and Tide, 3 September 1960) in his On Stories, and Other Essays, ed. Walter Hooper (New York: Harcourt Bruce Jovanovich, 1982).
C. S. Lewis, Out of the Silent Planet (London: The Bodley Head, 1939).
C. S. Lewis, ‘William Morris’ in his Rehabilitations and Other Essays (London: Oxford University Press, 1939).
E. P. Thompson William Morris: Romantic to Revolutionary (London: Lawrence & Wishart, 1955; 2nd edn. London: Merlin Press, 1977).
Editor information
Editors and Affiliations
Copyright information
© 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited
About this chapter
Cite this chapter
Goodwin, K. (1991). The Realism of Magic in the Fantasy Tradition of William Morris. In: Filmer, K. (eds) The Victorian Fantasists. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21277-4_5
Download citation
DOI: https://doi.org/10.1007/978-1-349-21277-4_5
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-21279-8
Online ISBN: 978-1-349-21277-4
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)