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Domesticating the Supernatural: Magic in E. Nesbit’s Children’s Books

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The Victorian Fantasists
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Abstract

It has long been recognised that Edith Nesbit’s children’s books have played a pivotal role in the development of modern children’s literature (Crouch, 15–25). Children’s authors themselves have repeatedly confirmed their enthusiasm for and indebtedness to Nesbit. C. S. Lewis, for one, celebrated her work in the various devices and motifs he borrowed from it in his Narnian Chronicles; they range from the magical ‘Bigwardrobeinspareroom’ which opens into the world of the supernatural to the intrusion of the imperious Queen from another dimension into contemporary London.1

‘I don’t understand,’ says Gerald, alone in his third-class carriage, ‘how railway trains and magic can go on at the same time.’

And yet they do.

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Works Consulted

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© 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Schenkel, E. (1991). Domesticating the Supernatural: Magic in E. Nesbit’s Children’s Books. In: Filmer, K. (eds) The Victorian Fantasists. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21277-4_15

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