Abstract
Two books appeared in the last two years of the nineteenth century, Kate Chopin’s The Awakening (1899) and Charlotte Perkins Gilman’s Women and Economics (1898), that were destined to become classics of modern feminist thought and sensibility. Both books, one an exquisitely written novel about woman’s sexual and psychological ‘awakening’ and the other an important economic and sociological treatise on the status of women, are major intellectual sources of modern feminism. Landmarks in the drive toward the liberation of women, the books describe the exclusion of women from the rhetoric and ideology of consensus. However, while Chopin and Gilman are revolutionary in their examinations of women, they are also interesting for their differences. They evince radically contrasting perspectives on how women can achieve freedom in the modern era. For Gilman women’s liberation can be gained only through major reform of the social and economic structures that influence behavior. Even in her classic psychological story, ‘The Yellow Wallpaper’, she maintains that individual psychology and internal emotional states are reflections of the external social environment and of oppressive ideological systems of belief. Basically she sees desire as an enemy of women on the road to freedom.
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Notes
See also Scharnhorst, Charlotte Perkins Gilman: A Bibliography ( Metuchen and London: Scarecrow, 1985 ).
Gilman, Women and Economics, ed. Carl N. Degler ( New York: Harper Torchbook, 1966 ), p. 110.
Gilman, The Living of Charlotte Perkins Gilman: An Autobiography (1935; rpt. New York: Arno, 1972 ), p. 235.
William Leach, True Love and Perfect Union: The Feminist Reform of Sex and Society ( New York: Basic Books, 1980 ), p. 155.
Christopher Lasch, Haven in a Heartless World: The Family Besieged ( New York: Harper Colophon, 1977 ), pp. 13–14.
Ann J. Lane, ‘The Fictional Worlds of Charlotte Perkins Gilman’ in The Charlotte Perkins Gilman Reader, ed. Lane (New York: Pantheon, 1980), p. xxxv.
Judith Fryer, The Faces of Eve ( Oxford: Oxford University Press, 1976 );
Joyce Ruddel Ladenson, ‘Paths to Suicide: Rebellion Against Victorian Womanhood in Kate Chopin’s The Awakening’, Intellect, 104 (July-August 1975 ), pp. 52–5;
Emily Toth, ‘The Independent Woman and “Free” Love’, Massachusetts Review, 16 (Autumn 1975 ), pp. 647–64;
Otis B. Wheeler, ‘The Five Awakenings of Edna Pontellier’, Southern Review, 11 (January 1975), pp. 118–28.
Per Seyersted, Kate Chopin: A Critical Biography ( Baton Rouge: Louisiana State University Press, 1969 ), p. 198.
Kate Chopin, The Awakening, ed. Margaret Culley (New York: Norton, 1976 ), p. 4.
Janine Chasseguet-Smirgel, The Ego Ideal: A Psychoanalytic Essay on the Malady of the Ideal, intro. Christopher Lasch, trans. Paul Burrows (New York: Norton, 1985 ), p. 58.
Sigmund Freud, ‘Feminine Sexuality’ in Freud: Sexuality and the Psychology of Love, ed. Philip Rieff (1931: rpt. New York: Collier Books, 1963), pp. 195, 196.
See Larzer Ziff, The American 1890’s: Life and Times of a Lost Generation (New York: Viking, 1966), pp. 304, 297–8.
Juliet Mitchell, Feminine Sexuality: Jacques Lacan and the ecole freudienne, eds. Juliet Mitchell and Jacqueline Rose, trans. Jacqueline Rose ( New York: Norton, 1982 ), p. 5.
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© 1990 Samuel B. Girgus
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Girgus, S.B. (1990). Freedom and Desire: Charlotte Perkins Gilman and Kate Chopin. In: Desire and the Political Unconscious in American Literature. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20723-7_6
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DOI: https://doi.org/10.1007/978-1-349-20723-7_6
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