Abstract
The homeless and the bootless; what is their place in the high-consumption, self-serving, money-oriented, property-owning democracy of late corporate capitalism? The easy answer is none, they have no place and no place can be made for them in a non-society where each member stands or fails by his or her own efforts. So perhaps it should be a surprise to see just those homelessl and the bootless2 parade across the television screen promoting a bank’s services. It is not only these disenfranchised that are pressed into promotion of the financial institutions; monsters snap and guzzle a path across a desolate landscape;3 paranoiac visions crash and threaten their way across the corner of our living rooms;4 a game of amusement arcade skill and dexterity is played across the façade of a high street bank.5 All these are linked by a curious relation of borrowing and exchange, of money and imagery.
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Notes
Laplanche, J. and J.-B. Pontalis, The Language of Psychoanalysis (London: Hogarth Press and Institute of Psychoanalysis, 1985) pp. 455–61.
Freud, S., On Metapsychology—the Theory of Psychoanalysis (London: Pelican Freud Library, 1985) vol. 11, pp. 427–34.
Grosz, E. A. (ed.), et al., Future Fall: Excursions into Post-Modernity (Australia: Power Institute of Fine Arts, University of Sydney, 1986) pp. 52–63.
Townsend, P., Pinball Wizard (‘Tommy’, Polydor, 1974).
Dick, Philip K., Do Androids Dream of Electric Sheep (London: Panther Group, 1972).
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© 1990 The Editorial Board, Lumière (Co-operative) Press Ltd
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Chaplin, R.M. (1990). Henry’s Paperweight: The Banks and TV Advertising. In: Day, G. (eds) Readings in Popular Culture. Insights . Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20700-8_5
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DOI: https://doi.org/10.1007/978-1-349-20700-8_5
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-47523-2
Online ISBN: 978-1-349-20700-8
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