Abstract
Of all the horror myths which have sunk into the Western unconscious during the twentieth century, Psycho is one of the most powerful, although principally in its manifestation in Hitchcock’s film. Here I want to say a little about Robert Bloch’s original story, published in 1959, and to put some specific questions about it. It needs to be noted at the outset that this is an odd and difficult task, because of a peculiarity in the story itself: which is that it contains its own psychological explanation, attached near the end as an authenticated account by a psychiatrist of a series of events which were, in fact, closely based on real incidents.
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Notes
Robert Bloch, Psycho (New York: Hale, 1959) p. 126.
Cf. the account of narcissism in Karen Horney, New Ways in Psychoanalysis (New York: Kegan Paul, Trench, Trübner, 1939) pp. 88–100.
Cf. H. K. Fierz, ‘The Clinical Significance of Extraversion and Introversion’, trs. C. Rowland, in Current Trends in Analytical Psychology, ed. Gerhard Adler (London: Tavistock, 1961) pp. 89–97.
See Patrick Süskind, Perfume: The Story of a Murderer, trs. J. E. Woods (London: Hamish Hamilton, 1986) pp. 261–3.
See John Fowles, The Collector (London: Jonathan Cape, 1963) pp. 45, 58, 82.
Cf. Ackbar Abbas, ‘Walter Benjamin’s Collector: The Fate of Modern Experience’, Working Papers of the Centre for Twentieth-Century Studies, no. 3 (Milwaukee: University of Wisconsin, 1986).
Robert Bloch, American Gothic (New York: Tor Books, 1974) p. 206.
See Xi Xi, A Girl Like Me, and Other Stories, Afterword by S. C. Soong (Hong Kong: Renditions Paperbacks, 1986) pp. 1–16.
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© 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Punter, D. (1990). Robert Bloch’s Psycho: Some Pathological Contexts. In: Docherty, B. (eds) American Horror Fiction. Insights. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20579-0_6
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