Skip to main content

The Literature of Combat

  • Chapter
Black Writers from South Africa

Part of the book series: St Antony’s/Macmillan Series ((STANTS))

  • 20 Accesses

Abstract

One of the products of the Black Consciousness Movement, in addition to its establishment of a black identity in South Africa, was a consciousness of the ideological function of literature in maintaining the hegemony of the ruling group in the society — a consciousness, that is, not among professional critics and theorists, but among the writers themselves. Black writers, by their questionings and experiments with form and genre, were able to lay bare the naturalising processes at work in accepted literary forms and genres (usually of western derivation) which contributed to their people’s subjugation, and to establish a search for alternatives that would counteract the cultural onslaught of white domination and serve the evolution of an ideology geared to the needs and aims of a black proletariat and rural population.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Miriam Tlali, Amandla (Johannesburg: Ravan Press, 1980) p. 230.

    Google Scholar 

  2. Sipho Sepamla, A Ride on the Whirlwind (Johannesburg: Ad Donker, 1981) p. 32.

    Google Scholar 

  3. Ibid., p. 34.

    Google Scholar 

  4. Mbulelo Mzamane, The Children of Soweto: a Trilogy (Harlow: Longman, 1982) p. 77.

    Google Scholar 

  5. Ibid., p. 86.

    Google Scholar 

  6. Ibid.

    Google Scholar 

  7. Ibid., p. 151.

    Google Scholar 

  8. Ibid., p. 244.

    Google Scholar 

  9. Mbulelo Mzamane, ‘The Uses of Traditional Oral Forms in Black South African Literature’ in Landeg White and Tim Couzens (eds), Literature and Society in South Africa (Harlow: Longmans, 1984) pp. 147–8.

    Google Scholar 

  10. Ibid.

    Google Scholar 

  11. Mongane Serote, To Every Birth Its Blood (Johannesburg, Ravan Press, 1981) p. 1.

    Google Scholar 

  12. Ibid., p. 7.

    Google Scholar 

  13. Ibid., p. 15.

    Google Scholar 

  14. Ibid., p. 19.

    Google Scholar 

  15. Ibid., p. 33.

    Google Scholar 

  16. Ibid., p. 45.

    Google Scholar 

  17. Ibid., p. 59.

    Google Scholar 

  18. Ibid., p. 58.

    Google Scholar 

  19. Ibid., p. 60.

    Google Scholar 

  20. Ibid.

    Google Scholar 

  21. Ibid., p. 65.

    Google Scholar 

  22. Ibid., p. 69.

    Google Scholar 

  23. Ibid., p. 70.

    Google Scholar 

  24. Ibid., p. 78.

    Google Scholar 

  25. Ibid., p. 79.

    Google Scholar 

  26. Ibid., p. 88.

    Google Scholar 

  27. Ibid., p. 89.

    Google Scholar 

  28. Ibid.

    Google Scholar 

  29. Ibid., p. 162.

    Google Scholar 

  30. Ibid., p. 173.

    Google Scholar 

  31. Ibid., p. 176.

    Google Scholar 

  32. Ibid., p. 322.

    Google Scholar 

  33. Lucien Goldmann, Cultural Creation in Modern Society (Oxford: Blackwell, 1977) p. 63.

    Google Scholar 

Download references

Authors

Copyright information

© 1989 Jane Watts

About this chapter

Cite this chapter

Watts, J. (1989). The Literature of Combat. In: Black Writers from South Africa. St Antony’s/Macmillan Series. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20244-7_6

Download citation

Publish with us

Policies and ethics