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Poetics and Narrative

Biblical Criticism and the Nineteenth-Century Novel

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The Critical Spirit and the Will to Believe
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Abstract

I want to start with a quotation from Hans Frei’s stimulating and seminal book, The Eclipse of Biblical Narrative. Comparing the development of prose fiction and biblical criticism in England and Germany during the eighteenth century, he notes that:

In England, where a serious body of realistic narrative literature and a certain amount of criticism of the literature was building up, there arose no corresponding cumulative tradition of criticism of the biblical writings, and that included no narrative interpretation of them. In Germany, on the other hand, where a body of critical analysis as well as general hermeneutics of the biblical writings built up rapidly in the latter half of the eighteenth century, there was no simultaneous development of realistic prose narrative and its critical appraisal.1

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Notes

  1. Hans W. Frei, The Eclipse of Biblical Narrative: A Study in Eighteenth and Nineteenth Century Hermeneutics (New Haven and London, 1974) p. 142.

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  2. Kathleen Wheeler (ed.), German Aesthetic and Literary Criticism: The Romantic Ironists and Goethe (Cambridge, 1984) p. 64.

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  3. Northrop Frye, The Great Code: The Bible and Literature (London, 1982) pp. 40, 42.

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  4. Jakobson, ‘Closing Statement: Linguistics and Poetics’, in Thomas A. Sebeok (ed.), Style in Language (Cambridge, Mass., 1960).

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  5. David Lodge, Modes of Modern Writing: Metaphor, Metonymy and the Typology of Modern Literature (London, 1977) p. 90.

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  6. George Levine, The Realistic Imagination (Chicago, 1981) pp. 12, 19–20.

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  7. See Reginald C. Fuller, Alexander Geddes 1737–1802: A Pioneer of Biblical Criticism (Sheffield, 1984).

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  8. Politi, The Novel and its Presuppositions: Changes in the Conceptual Structure of Novels in the Eighteenth and Nineteenth Centuries (Amsterdam, 1976) p. 52.

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  9. Plumb, The Death of the Past (London, 1969) pp. 76–7.

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  10. Donaldson, ‘The Clockwork Novel: Three Notes on an Eighteenth Century Analogy’, The Review of English Studies, vol. xxi (1970) no. 81.

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  11. Boyle, A Free Inquiring into the Vulgarly Received Notion of Nature (1685) p. 247.

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  12. Howes, ‘Doubts concerning the Translation and Notes of the Bishop of London, to the five first Chapters of Isaiah vindicating Ezechiel, Isaiah and other Jewish Prophets from Disorder in Arrangement’, Critical Observations on Books, Ancient and Modern (1774; reprinted, New York, 1972) vol. II, pp. 138–89.

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  13. See Friedrich Meinecke, Historism: The Rise of a New Historical Outlook, trans. J.E. Anderson (London, 1972).

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  14. Trimmer, Help to the Unlearned in the Study of the Holy Scriptures (1806) p. 22.

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  15. Marsh, ‘Ancient and Modern Poetry’, North American Review XV, vol. VI (1822) no. 1, p. 122.

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  16. See The Three Trials of William Hone (1817) and Olivia Smith, The Politics of Language 1791–1818 (Oxford, 1984) ch. 5.

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  17. George MacDonald, Lilith (1895; reprinted Grand Rapids, Michigan, 1964) p. 227.

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© 1989 David Jasper and T. R. Wright

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Prickett, S. (1989). Poetics and Narrative. In: Jasper, D., Wright, T.R. (eds) The Critical Spirit and the Will to Believe. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20122-8_1

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