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Apprenticeship

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Eudora Welty

Part of the book series: Women Writers ((WW))

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Abstract

Eudora Welty’s perspective on the variety of Mississippi life she encountered as a WPA publicity agent was intimate and sympathetic. It is unusual for a writer to leave a visual record of such a formative period, but she has done so with the hundreds of photographs she took as she travelled around her state. These provide concrete, fixed evidence of her gaze as a young woman. We must of course distinguish between the medium of the photograph and that of the written word; the camera can only capture external images of the moment, while language can explore inner psychological states, complex actions and the passage of time. Nevertheless, Welty’s photographs provide a unique definition of her concerns and the frame of her vision as an observer, the vision she would develop as she taught herself the craft of fiction. A Curtain of Green and The Wide Net explore the interests expressed by the photographs, in ways possible only with the written word.

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Notes

  1. Erskine Caldwell and Margaret Bourke-White, You Have Seen Their Faces (New York, Viking Press, 1937);

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  2. Dorothea Lange and Paul Taylor, An American Exodus (New York, Reynal and Hitchcock, 1939);

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  3. Richard Wright and Edwin Rosskam, 12 Million Black Voices (New York, Viking Press, 1941);

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  4. and James Agee and Walter Evans, Let Us Now Praise Famous Men (Boston, Houghton, Mifflin, 1941).

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  5. Julia Peterkin and Doris Ulmann, Roll Jordan, Roll (New York, R. O. Ballou, 1933).

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  6. Robert Penn Warren ‘The Love and Separateness in Miss Welty’, Kenyon Review (Spring 1944), pp. 246–59.

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© 1989 Louise Westling

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Westling, L. (1989). Apprenticeship. In: Eudora Welty. Women Writers. Palgrave, London. https://doi.org/10.1007/978-1-349-20012-2_3

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