Abstract
It is more true of the theatre than of the field of literature that the years 1945–50 set the course for later developments and influenced events until far into the 1960s. Theatre, more than other arts, is an institution, and institutions are — perhaps especially in Germany — ponderous and only changed with difficulty. Thus, decisions made in the 1940s determined the theatre scene for years: a very simple example is that of the long-term contracts with directors and actors.
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Notes
Anna J. Merrit and Richard L. Merritt, Public Opinion in Occupied Germany: The OMGUS Survey, 1945–1949 ( Urbana, Ill.: University of Illinois Press, 1970 ) p. 55.
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© 1989 Nicholas Hewitt
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Fries, U. (1989). West German Theatre in the Period of Reconstruction. In: Hewitt, N. (eds) The Culture of Reconstruction. Warwick Studies in the European Humanities. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19728-6_13
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DOI: https://doi.org/10.1007/978-1-349-19728-6_13
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-19730-9
Online ISBN: 978-1-349-19728-6
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