Abstract
The proclamation of the Romanian People’s Republic on 30 December 1947 marked the beginning of an era in which the leadership of the Romanian Communist Party1 would seek to, and succeed to a large degree in, exploiting literature for its own ends. The measure of that success is reflected in the form and content of published literature down to the present day, a presentation of which will constitute one aspect of this paper. The fact that political events have often dictated the direction taken by literature in Romania has obliged me to chronicle2 and to analyse briefly the relationships between the Party and writers during this period.3 These relationships are largely characterised by the acquiescence of writers in the Party’s cultural policies (with a few notable exceptions). The activity of Miron Radu Paraschivescu, Dumitru Țepeneag and Paul Goma in the late 1960s and the 1970s, and the work of the novelists Augustin Buzura and Marin Preda, and of the poets Ana Blandiana, Mircea Dinescu, Ștefan Augustin Doinaș and Marin Sorescu, provide eloquent examples.
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Notes
For a descriptive approach see Anneli Ute Gabanyi, Partei und Literatur in Rumänien seit 1945 (Munich: R. Oldenbourg Verlag, 1975).
K. Hitchins, ‘The Rumanian National Movement in Transylvania, 1780–1849’ (Cambridge, Mass.: Harvard University Press, 1969) p. 19.
Scînteia 5, 7, 8, 10 January 1948. Quoted from D. Grăsoiu, Bătălia Arghezi (Cluj-Napoca: Editura Dacia, 1984) pp. 154–5. Another casualty of the new literary norms was the young Nina Cassian whose volume of poetry La scara 1/1 (‘On the scale 1/1’) was criticised in Scînteia by Traian Șelmaru as ‘unprincipled’, that is, failing to reflect Marxist-Leninist principles. Cassian was forced to make a self-criticism in the weekly journal Flacăra, 1 March 1948.
M. Sadoveanu, Mitrea Cocor (London: Fore Publications, 1953) pp. XVII–XVIII.
Preda’s assured approach is missing from the second volume which appeared 12 years later, in 1967. See the comments of E. Simion, Scriitori români de azi (Bucharest: Cartea Românească, 1974) pp. 275–6.
I. Pop, Poezia unei generații (Cluj, 1973) p. 26.
M. Lovinescu, ‘The New Wave of Rumanian Writers’, East Europe, vol. 16, no. 12 (December 1967), p. 9.
N. Ceaușescu, Romania on the Way of Completing Socialist Construction: Reports, Speeches, Articles, July 1965–September 1966 (Bucharest: Meridiane, 1969) p. 89.
N. Ceaușescu, Romania on the Way of Building Up the Multilaterally Developed Socialist Society, vol.6. Reports, Speeches, Articles, May 197 1 – February 1972 (Bucharest: Meridiane, 1972) pp. 174–80.
M. Shafir, ‘Who is Paul Goma?’, Index on Censorship, vol. 7 (1978), no. 1, pp. 33–6.
For a brief yet illuminating analysis of Orgolii see M.H. Impey, Historical Figures in the Romanian Political Novel’, Southeastern Europe/L’Europe du sud-est, vol.7, part 1 (1980), pp. 107–13.
M. Shafir, ‘The Men of the Archangel Revisited: Anti-Semitic Formations among Communist Romania’s Intellectuals’, Studies in Comparative Communism, vol. XVI, no. 3 (Autumn 1983), p. 229.
M. Roller, Probleme de istorie (Bucharest: Partidul Muncitoresc Român, 1951) p. 107, quoted from M. Shafir, ‘The Men of the Archangel’, p. 226, note 12.
From the volume Democrația naturii (Nature’s Democracy) (Bucharest: Cartea Românească, 1981) p. 11. This poem and others by Dinescu have appeared in Mircea Dinescu, Exile on a Peppercorn, trans. by Andrea Deletant and Brenda Walker (London: Forest Books, 1985).
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© 1989 School of Slavonic and East European Studies, University of London
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Deletant, D. (1989). Literature and Society in Romania since 1948. In: Hosking, G.A., Cushing, G.F. (eds) Perspectives on Literature and Society in Eastern and Western Europe. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19698-2_8
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