Abstract
Wordsworth and Shelley have often been compared in passing. Recall, for example, Francis Thompson’s comments in Shelley (1909). Thompson claimed that Shelley and Wordsworth are, respectively, analogous to the Nightingale and Stock-dove in Wordsworth’s poem of that name of 1807:
O Nightingale! thou surely art
A creature of a ‘fiery heart’:—
These notes of thine — they pierce and pierce;
Tumultuous harmony and fierce!
Thou sing’st as if the God of wine
Had helped thee to a Valentine;
A song in mockery and despite
Of shades, and dews, and silent night;
And steady bliss, and all the loves
Now sleeping in these peaceful groves.
I heard a Stock-dove sing or say
His homely tale, this very day;
His voice was buried among trees,
Yet to be come-at by the breeze:
He did not cease; but cooed — and cooed;
And somewhat pensively he wooed:
He sang of love, with quiet blending,
Slow to begin, and never ending;
Of serious faith, and inward glee;
That was the song — the song for me!
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Notes
F. R. Leavis, Revaluation (1936; Harmondsworth, Mddx: Penguin, 1978) pp. 194, 199.
These works are summarised by Newman I. White, ‘The Beautiful Angel and his Biographers’, South Atlantic Quarterly, xxiv (1925).
The Letters of William and Dorothy Wordsworth: The Middle Years, vol. i, ed. Ernest de Selincourt (Oxford University Press, 1937), p. 195.
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© 1988 G. Kim Blank
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Blank, G.K. (1988). Introduction. In: Wordsworth’s Influence on Shelley. Macmillan Studies in Romanticism. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19020-1_1
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