Abstract
The growing strength of the British labour movement between the wars was demonstrated by the election of two Labour governments in 1924 and 1929 under Ramsay MacDonald. Although the second in particular ended in disaster with a divided Labour Party and a huge National, or Conservative, majority at the election of 1931, the fact was that the Labour Party had replaced the Liberals as the Conservative Party’s major rival.
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References
Charles Madge, ‘Pens Dipped in Poison’, in Left Review, vol. 1, no. 1 (October 1934) p. 17.
Foreword to Miles Malleson and H. Brooks, Six Men of Dorset (London: Gollancz, 1934).
Letter from Alex McCrindle in the Guardian, 16 March 1984.
Trades Union Congress Report 1937, p. 109.
‘Co-operative Drama’, in The Co-operative Review (August 1937) p. 239; (December 1937) pp. 374–5.
André van Gyseghem, ‘British Theatre in the Thirties’ in J. Clark et al. (eds) Culture and Crisis in Britain in the ’30s (London: Lawrence and Wishart, 1978) pp. 217–18.
See Miles Malleson, The ILP and its Dramatic Societies (London: ILP, n.d., but c.1925).
R. E. Dowse, Left in the Centre (London: Longman, 1966) pp. 83–4, 129.
L. A. Jones, ‘The Workers’ Theatre Movement in the Twenties’ in Zeitschrift für Anglistik und Amerikanistik (January 1966) p. 273.
New Leader, 15 November 1929.
Harold Scott in the Socialist Review (January 1930).
Ness Edwards, The Workers’ Theatre (Cardiff, Cymric, 1930) p. 37.
R. P. Dutt, ‘The Workers’ Theatre’, in Labour Monthly (August 1926).
Philip Poole in Red Letters, no. 10 (n.d.) pp. 4–5.
Malleson, op. cit.
Tom Thomas, ‘A Propertyless Theatre for the Propertyless Class’ in History Workshop, 4 (Autumn 1977) p. 118.
Letter in Our Time (June 1948) p. 242.
Quoted in Leonard Jones, ‘The General Strike and the Worker’s Theatre’, in Essays in Honour of William Gallacher (Berlin, 1966) p. 155.
L. A. Jones The Workers’ Theatre Movement in the Twenties’, op. cit., pp. 227–9.
Daily Worker, 10 February 1930.
Daily Worker, 11 June 1930.
See Thomas Dickinson, (ed.), The Theatre in a Changing Europe (London: Putnam, 1938) p. 16.
Ewan MacColl, ‘Grassroots of Theatre Workshop’, in Theatre Quarterly (January 1973) p. 59.
Ray Waterman, ‘Proltet’, in History Workshop, 5 (Spring 1978) p. 176.
Quoted in C. D. Innes, Erwin Piscator’s Political Theatre (Cambridge University Press, 1972) p. 21.
See e.g. The Plebs (October 1925) pp. 401–4.
Poole, op. cit., p. 9.
See the journal International Theatre, published in the first halfofthe 1930s.
Daily Worker, 3 October 1934; International Theatre 3–4 October 1934.
Marie Seton, Paul Robeson (London: Dobson, 1958) pp. 99–102.
van Gyseghem, op. cit., p. 211.
Norman Marshall, The Other Theatre (London: John Lehmann, 1947) pp. 221–2.
Letter from Malleson, Nixon and van Gyseghem in New Statesman, 23 March 1935, p. 417.
Montagu Slater, New Way Wins (London: Lawrence and Wishart, 1937).
Ivor Brown, ‘Left Theatres’ in New Statesman, 6 April 1935, p. 487.
New Leader, 5 March 1937.
Daily Worker, 19 September 1935, also 15 November 1935.
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Vincent Flynn, ‘Looking Back’, in New Edinburgh Review, no. 40 (February 1978) p. 19; Norman Veitch, op. cit., pp. 180–1.
Vernon Beste, ‘Unity Theatre’s Repertory’, in Million (Glasgow: n.d.) p. 28.
Amateur Theatre, 25 September 1936, p. 35.
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Herbert Hodge, Draughty in Front (London: Michael Joseph, 1938) p. 254.
Roger Gullan and Buckley Roberts Where’s that Bomb? (London: Lawrence and Wishart, 1937);
Arthur Calder Marshall, The Changing Scene (London: Chapman and Hall, 1937) p. 67.
New Theatre, January 1938, no. 3; Drama, April 1937.
Hugh D. Ford, A Poet’s War (University of Pennsylvania Press, 1965) p. 142.
Mark Clifford, ‘Workers’ Circle Theatre’, in The Circle (November 1937) p. 9.
Daily Worker, 25 November 1937.
Amateur Theatre, 20 May 1938, p. 28.
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John Lehmann, The Whispering Gallery (London: Longman, 1955) p. 303.
Bootman in Page, op. cit., p. 64.
Quoted in Ron Travis, The Unity Theatre of Great Britain 1936–1946 (thesis for the University of Southern Illinois 1968, copy held at Marx Library, London) p. 87.
Theatre for the People, no. 4–5 (June–July 1939) p. 28.
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John Allen, ‘Where are those New Dramatists?’, in Daily Worker, 21 June 1937.
Ray Waterman, ‘Proltet’, in History Workshop, (Spring 1978) p. 177.
Angela Tuckett, The People’s Theatre in Bristol 1930–45 (London: Our History 72, n.d.) p. 10.
Figures from the Unity Theatre Handbook, 1939.
Daily Worker, 5 June 1939.
Bootman in Page, op. cit., p. 63.
Samuel, op. cit., p. 232.
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© 1987 Andrew Davies
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Davies, A. (1987). Between the Wars: the Political Theatre Groups. In: Other Theatres. Communications and Culture. Palgrave, London. https://doi.org/10.1007/978-1-349-18723-2_7
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