Abstract
‘I am very much a Domino sort of girl myself. A fun-loving extrovert. Whatever it is I am doing I enjoy doing it — loving, driving, riding, shopping, travelling, even cooking.’
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Notes and References
K. Passingham, ‘The Gorgeous Girls of James Bond’, TV Times, 23 October 1975, p. 27.
I. Fleming, ‘How to write a Thriller’, Books and Bookmen, May 1963, p. 14.
See P. Macherey, A Theory of Literary Production, and L. Althusser, ‘A Letter on Art’, in Lenin and Philosophy, and Other Essays, New Left Books, London, 1971.
A. Kuhn, Women’s Pictures: Feminism and Cinema, Routledge and Kegan Paul, London, 1982, p. 92.
See C. Brooker, The Neophiliacs: A Study in the Revolution in English life in the Fifties and Sixties, Collins, London, 1969.
See M. Richler, ‘Ian Fleming: A Voice for Little England’, Nova, January 1970.
See J. Ellis, Visible Fictions. Cinema: Television: Video Routledge and Kegan Paul, London, 1982, chapter 2.
K. Elam, The Semiotics of Theatre and Drama, Methuen, London, 1980, p. 94.
J. Mukarovsky, Aesthetic Function, Norm and Value as Social Facts, University of Michigan Press, Ann Arbor, 1970.
See P. Bourdieu and J. C. Passeron, The Inheritors: French Students and Their Relation to Culture, University of Chicago Press, Chicago and London, 1979, p. 17.
I. Fleming, ‘How to Write a Thriller’, Books and Bookmen, May 1963, p. 14.
M. Foucault, ‘What is an Author?’, Screen, xx(1), Spring, 1979, p. 22.
T. Bennett, ‘Marxism and Popular Fiction’, Literature and History, vol. 7(2), Autumn, 1981, p. 160.
See D. Holbrook, The Masks of Hate: The Problem of False Solutions in the Culture of an Acquisitive Society, Pergamon Press, Oxford, 1972.
I. Hunter, ‘The Concept of Context and the Problem of Reading’, Southern Review, vol. 15, no. 1, March 1982, p. 87.
D. Saunders, ‘The Trial of Lady Chatterley’s Lover: Limiting Cases and Literary Canons’, Southern Review, vol. 15, no. 2, July 1982, p. 165.
See V. Volosinov, Marxism and the Philosophy of Language, Seminar Press, New York, 1973.
M. Pêcheux, Language, Semantics and Ideology, Macmillan, London, 1982, p. 187.
T. Eagleton, Criticism and Ideology: A Study in Marxist Literary Theory, New Left Books, London, 1976, p. 48.
See F. Jameson, The Political Unconscious, Methuen, London, 1981, p. 13.
See, for one of his more revealing discussions of the status of ‘the text’ within literary criticism, F. R. Leavis, ‘The Responsible Critic or the Function of Criticism at any Time’, Scrutiny, Spring, 1953.
K. Marx, Capital, vol. I, Lawrence and Wishart, London, 1970, p. 71.
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© 1987 Tony Bennett and Janet Woollacott
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Bennett, T., Woollacott, J. (1987). Figures of Bond. In: Bond and Beyond. Communications and Culture. Palgrave, London. https://doi.org/10.1007/978-1-349-18610-5_9
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