Abstract
One of the central antitheses of Don Juan is stated at the beginning of canto XV.
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Notes
This stanza receives the careful attentions of Christopher Ricks in Keats and Embarrassment (Oxford, 1974) pp. 66–7.
Gotthold Lessing, Laokoon (Berlin, 1766);
see Jean H. Hagstrum, The Sister Arts (Chicago, 1958), and
Ralph Cohen, The Art of Discrimination (1964).
Edward E. Bostetter, in The Romantic Ventriloquists (Seattle and London, 1963), is suggestive on the later cantos of Don Juan.
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© 1986 Mark Storey
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Storey, M. (1986). ‘Emblems of Emotion’: Don Juan (ii). In: Byron and the Eye of Appetite. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-18352-4_6
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DOI: https://doi.org/10.1007/978-1-349-18352-4_6
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