Abstract
After his return to Nigeria in 1975, Soyinka became increasingly concerned with the need to communicate political ideas to a mass audience through the performing arts. He developed a distinctive agit-prop theatre which made particularly effective use of music and song. During this period, he wrote Opera Wonyosi (1977), Before the Blow-out (made up of Home to Roost and Big Game Safari (1978)); Rice Unlimited (1981), Die Still Rev. Dr Godspeak! (1982) — a commissioned radio play which emerged as the stage play Requiem for a Futurologist (1983), and Priority Projects (made up of Festac 77, Green Revolution, Ethical Revolution and Abuja, 1983). In addition to these works, he also drafted A Play of Giants, scheduled for performance at the University of Yale during 1981 but not produced or published until 1984.
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References
John Willett. The Theatre of Bertolt Brecht, London: Methuen, 1959, pp. 29–30.
Biodun Jeyifo, ‘Drama and the New Social Order,’ Positive Review (Ife), (1978), p. 22, and Yemi Ogunbiyi, ‘Opera Wonyosi: A Study of Wole Soyinka’s Opera Wonyosi,’ Nigeria Magazine (Lagos), Nos 128/9 (1979), pp. 3–13. Ogunbiyi points out that, in Yoruba, ‘opera’ means ‘the fool buys’ — at this point the tonal inflections are very signficant. ‘Wonyosi’ is an expensive lace.
Yemi Ogunbiyi, ‘Requiem for a Managing Director,’ The Guardian (Lagos), August 7, 1983, p. 23.
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© 1986 James Gibbs
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Gibbs, J. (1986). Plays for Nigeria of the Seventies and Eighties. In: Wole Soyinka. Macmillan Modern Dramatists. Palgrave, London. https://doi.org/10.1007/978-1-349-18209-1_8
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DOI: https://doi.org/10.1007/978-1-349-18209-1_8
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