Abstract
In 1936 President Franklin D. Roosevelt announced that Americans had a ‘rendezvous with destiny’. It was the war years that turned that prophecy into a reality as America emerged from its traditional isolationism and became the most powerful country in the world — an imperialist, interventionist nation. Indeed, the energy that had once gone into the struggle against the Depression was now concentrated on the war effort. And that effort granted to many people on the home-front a sense of purpose, exhilaration and community that was rare in American history.1
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Notes
Godfrey Hodgson, America in Our Time: From World War II to Nixon, What Happened and Why (New York: Vintage Books, 1978) pp. 17–64.
Eric F. Goldman, The Crucial Decade — and After, America, 1945–1960 (New York: Vintage Books, 1960).
Stephen E. Ambrose, Rise to Globalism: American Foreign Policy 1938–1970 (Baltimore, Maryland: Penguin Books, 1971) pp. 102–35.
Dean Acheson, Present at the Creation (New York: W. W. Norton, 1969) p. 297.
Alistair Cooke, A Generation on Trial (Baltimore, Maryland: Penguin Books, 1952).
Walter Goodman, The Committee: The Extraordinary Career of the House Committee on Un-American Activities (Baltimore, Maryland: Penguin Books, 1969) pp. 207–25.
Charles Higham and Joel Greenberg, Hollywood in the Forties (New York: Paperback Library, 1970) p. 18.
James Agee, Agee on Film: Reviews and Comments (Boston: Beacon Press, 1966) p. 173.
Frank Capra, The Name Above the Title (New York: Bantam, 1972) pp. 418–26.
Molly Haskell, From Reverence to Rape: The Treatment of Women in the Movies (Baltimore, Maryland: Penguin Books, 1974) pp. 153–88.
Barbara Deming, Running Away From Myself: A Dream Portrait of America Drawn From the Films of the Forties (New York: Grossman Publishers, 1969) p. 6.
Joseph G. Goulden, The Best Years, 1945–1950 (New York: Atheneum, 1976).
Donald Bogle, Toms, Coons, Mulattoes, Mammies and Bucks (New York: Bantam, 1973).
Peter Roffman and Jim Purdy, The Hollywood Social Problem Film (Bloomington, Indiana: Indiana University Press, 1981).
Hugh Fordin, The World of Entertainment! Hollywood’s Greatest Musicals (Garden City, New York: Doubleday, 1975).
Richard Dyer, ‘Entertainment and Utopia’, in R. Altman (ed.), Genre: The Musical (London: Routledge & Kegan Paul, 1981) pp. 175–89.
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© 1984 Leonard Quart and Albert Auster
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Quart, L., Auster, A. (1984). The Forties. In: American Film and Society since 1945. The Contemporary United States. Palgrave, London. https://doi.org/10.1007/978-1-349-17569-7_2
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DOI: https://doi.org/10.1007/978-1-349-17569-7_2
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