The Vanity of Human Wishes

  • T. F. Wharton

Abstract

The key image of The Vanity of Human Wishes is the image of the portrait in the golden frame. It comes in the section which concerns itself with the vain wish for political success (ll. 73–120). The section includes a description of the rise and fall of a generalised ‘statesman’; and then a brief narrative of the career of Wolsey; the historical narrative closely echoing the pattern of the general, fictitious one.

Keywords

Europe Amid Coherence Expense Palladium 

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Notes

  1. 1.
    Andrew Marvell, Second Advice to a Painter (1666) l. 165.Google Scholar
  2. 4.
    See MacDonald Emslie, ‘Johnson’s Satires and the Proper Wit of Poetry’, Cambridge Journal, vol. 7 (1953–4) p. 348.Google Scholar
  3. 6.
    C. B. Tinker (ed.), Dr Johnson and Fanny Burney (New York, 1911) p. 61.Google Scholar
  4. 7.
    Life, vol. II, pp. 261–2. For an analysis of Johnson’s humour, see W. B. C. Watkins, Perilous Balance (Princeton, N.J., 1939); and Bate, The Achievement of Samuel Johnson, pp. 115–28.Google Scholar
  5. 8.
    Arieh Sachs, Passionate Intelligence: Imagination and Reason in the Work of Samuel Johnson (Baltimore, Md., 1967) p. 79.Google Scholar

Copyright information

© T. F. Wharton 1984

Authors and Affiliations

  • T. F. Wharton

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