Abstract
During his lifetime Jarry witnessed only two performances of Ubu roi, on 9 and 10 December 1896. While he lay dying, Firmin Gémier was preparing a revival which eventually took place at the Théâtre Antoine in 1908. The performance was a disappointment as the actor manager chose to treat the play as a childish, circus-like fairytale. Ubu, for example, pretended that he was scooping up the neat droppings of the pantomime horses, and in the snow scene Ma Ubu lay down beside her mate for a nap. She went hee and he went haw(!). The performance ended with the whole cast going to sleep, symbol ‘of all that is bizarre and phantasmagorical in the play’.
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Notes
See Henri Béhar, ‘Une mise en scène surréaliste: Ubu enchaîné, de Sylvain Itkine’, in Revue de la Société d’Histoire du Théâtre, XXIV (1972) 7–26.
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© 1984 Claude Schumacher
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Schumacher, C. (1984). ‘Ubu’ in Performance. In: Alfred Jarry and Guillaume Apollinaire. Macmillan Modern Dramatists. Palgrave, London. https://doi.org/10.1007/978-1-349-17328-0_7
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DOI: https://doi.org/10.1007/978-1-349-17328-0_7
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