Skip to main content
  • 20 Accesses

Abstract

In view of the theoretical and practical confusion we encounter in criticism of which the avowed intention is to eliminate subjectivity from the critical act and place the whole discipline on a scientific basis, it seems a matter of some importance to inspect the language of criticism a little more closely than is usually the case. The logical analysis of critical terminology may well reveal the intrinsic nature of criticism itself. For underlying all criticism is a theory of literature (or art in general) and it is this basic theoretical structure we are really concerned with in modern claims to have eliminated the ‘subjective’ and bypassed the ‘intuitive’.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 19.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 29.95
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. William Elton, ed., Aesthetics and Language (Oxford, 1954).

    Google Scholar 

  2. Samuel Taylor Coleridge, Biographia Literaria (London, 1906) p. 160.

    Google Scholar 

  3. Catherine Belsey, Critical Practice, (London, 1980).

    Book  Google Scholar 

  4. Terry Eagleton, Criticism and Ideology (London, 1975) p. 185.

    Google Scholar 

Download references

Authors

Copyright information

© 1983 Geoffrey Thurley

About this chapter

Cite this chapter

Thurley, G. (1983). The Analysis of Value-Judgements. In: Counter-Modernism in Current Critical Theory. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-17159-0_4

Download citation

Publish with us

Policies and ethics