Abstract
In view of the theoretical and practical confusion we encounter in criticism of which the avowed intention is to eliminate subjectivity from the critical act and place the whole discipline on a scientific basis, it seems a matter of some importance to inspect the language of criticism a little more closely than is usually the case. The logical analysis of critical terminology may well reveal the intrinsic nature of criticism itself. For underlying all criticism is a theory of literature (or art in general) and it is this basic theoretical structure we are really concerned with in modern claims to have eliminated the ‘subjective’ and bypassed the ‘intuitive’.
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Notes
William Elton, ed., Aesthetics and Language (Oxford, 1954).
Samuel Taylor Coleridge, Biographia Literaria (London, 1906) p. 160.
Catherine Belsey, Critical Practice, (London, 1980).
Terry Eagleton, Criticism and Ideology (London, 1975) p. 185.
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© 1983 Geoffrey Thurley
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Thurley, G. (1983). The Analysis of Value-Judgements. In: Counter-Modernism in Current Critical Theory. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-17159-0_4
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DOI: https://doi.org/10.1007/978-1-349-17159-0_4
Publisher Name: Palgrave Macmillan, London
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