Abstract
Turgenev’s second major play for the professional theatre, The Parasite, was written at the request of Shchepkin and completed, in France, in 1848. Like the pictures in the album which Mukhin contemplates in Where It’s Thin, There It Breaks of ‘views from Italy’ — with the suggestion of a reciprocal process, both ‘views of and ‘views from’ — this play is a view of Russia ‘from abroad’, where one of the characters, Tropachov, always intends going but, instead, has to make do with lithographs in an album. The play was immediately banned, ostensibly because, according to the censor, it presented the Russian nobility in a ‘contemptuous light’.
Preview
Unable to display preview. Download preview PDF.
Notes and References
P. A. Markov, O Teatre (4 vols), vol. iii (Moscow: ‘Iskusstvo’, 1976) p.217.
Marc Slonim, Russian Theater from the Empire to the Soviets (London: Methuen, 1963) p. 67.
K. S. Stanislavski, Moya Zhizn’ v Iskusstve (Moscow: ‘Iskusstvo’, 1962) pp. 508–11.
A. D. Diki, Povest’ o Teatral’noy Yunosti (Moscow: ‘Iskusstvo’, 1957) p. 152.
Leonid Grossman, Teatr Turgeneva (Petersburg: Brokgaus-Yefron, 1924) p. 136.
Author information
Authors and Affiliations
Copyright information
© 1982 Nick Worrall
About this chapter
Cite this chapter
Worrall, N. (1982). Turgenev’s Plays 1848–1850. In: Nikolai Gogol and Ivan Turgenev. Macmillan Modern Dramatists. Palgrave, London. https://doi.org/10.1007/978-1-349-16917-7_7
Download citation
DOI: https://doi.org/10.1007/978-1-349-16917-7_7
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-28964-8
Online ISBN: 978-1-349-16917-7
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)