Skip to main content

Colorants

  • Chapter
Colour Observed
  • 34 Accesses

Abstract

Surface colours derive from the action of light on colourless molecular structures—a physical process—or on chemical colorants contained in the surface of the object. Chemical components which selectively reflect coloured light to the observer, called colorants, are either dyes or pigments, depending on whether they have, or do not have, affinity for the materials to which they are applied, but, conventionally, they are classified as dyes or pigments according to their usage. The main use of pigments is to make paints, which provide a new surface, whereas dyes combine with the substrate. The main difference between the two is that pigments are insoluble and most dyes are soluble.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References and Bibliography

  • Aristotle, De Coloribus, see Chapter 2

    Google Scholar 

  • Badianus, Juan, Badianus Manuscript, Spain, 1552 (English translation by Martin de la Cruz), Vicenza, 1968

    Google Scholar 

  • Boschini, Le Ricche Minere della Pittura Veneziano, Italy, 1674

    Google Scholar 

  • Brunelli, Franco, The Art of Dyeing, Nero Rozzi, Neri Press, Cleveland, Ohio, 1973

    Google Scholar 

  • Cellini, Benvenuto, Autobiography, Florence, 1558 (English translation by A. Macdonell), Everyman’s Library, Dent

    Google Scholar 

  • Cennini, Cennio D’Andrea, The Craftsman’s Handbook, Dover Publications

    Google Scholar 

  • Dioscorides, De Materia Medica, Ad 50 (German translation), Stuttgart, 1902

    Google Scholar 

  • Hemandez, Francisco, Thesaurus, 1570, Pub. Accademia dei Lincei, 1615

    Google Scholar 

  • Herodotus, The Histories, Greece, 450 BC (English translation by A. de Selincourt), Penguin

    Google Scholar 

  • Pliny the Elder, Naturalis Historia (English translation by Henry Bohn), Heineman

    Google Scholar 

  • Vasari, Giorgio, Lives of Painters, Sculptors and Architects (English translation by Hinds, Ed. W. Gaunt), Everyman’s Library, Dent

    Google Scholar 

  • British Standards Institution, BS 1006: Methods for the Determination of the Colour Fastness of Textiles to Light and Weathering, London, 1971

    Google Scholar 

  • Church, A. H., The Chemistry of Paints and Painting, Seeley and Co, London, 1892

    Google Scholar 

  • Colour in Surface Coatings, Paint Research Station, England, 1956

    Google Scholar 

  • Constable, William G., The Painter’s Workshop, Beacon Press, 1963

    Google Scholar 

  • Dalton, John, A New System of Chemical Philosophy (facsimile of 1808 edition), Dawsons, Pall Mall, 1953

    Google Scholar 

  • Dye Plants and Dyeing—A Handbook, Brooklyn Botanic Garden Record, Plants and Gardens

    Google Scholar 

  • Eastlake, Charles, Methods and Materials of Painting of the Great Schools and Masters, Dover Publications

    Google Scholar 

  • Field, George, Chromatography or a Treatise on Colours and Pigments and of their Powers in Paints, Charles Tilt, London, 1835

    Google Scholar 

  • Goodwin, Michael, Artist and Colourman, Enfield, 1966

    Google Scholar 

  • Harley, R. D. Artist’s Pigments c. 1600–1835, Butterworth, 1970

    Google Scholar 

  • Herberts, Kurt, The Complete Book of Artist’s Techniques, Praeger, 1969

    Google Scholar 

  • Hiler, Hilaire, Color Harmony and Pigments, Favor Ruhl and Co, Chicago, 1942

    Google Scholar 

  • Maroger, Jaques, The Secret Formulas and Techniques of the Masters, Studio Publications, New York and London, 1948

    Google Scholar 

  • Matiello, J., Protective and Decorative Coatings, John Wiley, New York, 1941

    Google Scholar 

  • Mayer, Ralph, The Artists’ Handbook of Materials and Techniques, Faber, 1972

    Google Scholar 

  • Paint Journal, food and drink industries issue, 2, No. 81

    Google Scholar 

  • Pigment Particles, Paint Research Station, England, 1956

    Google Scholar 

  • Remington, J. S. and Francis, W., Pigments: Their Manufacture, Properties and Uses, Leonard Hill, 1954

    Google Scholar 

  • Ross, Denman Waldo, The Painter’s Palette, Houghton Mifflin and Co, Boston, 1919

    Google Scholar 

  • Thompson, Daniel V., The Materials of Medieval Painting (Ed. Bernard Berenson), Dover Publications, 1971

    Google Scholar 

Download references

Authors

Copyright information

© 1980 Enid Verity

About this chapter

Cite this chapter

Verity, E. (1980). Colorants. In: Colour Observed. Palgrave, London. https://doi.org/10.1007/978-1-349-16373-1_3

Download citation

Publish with us

Policies and ethics