The Literature of Unfreedom

Abstract

Among the most dynamic passages in Upton Sinclair’s The Jungle is the portrayal of a prison in Chicago. The writer’s barely controlled rage against injustice and his unwavering political analysis fuse in a concentrated piece of denunciation:

There were hardened criminals and innocent men too poor to give bail; old men, and boys literally not yet in their teens. They were the drainage of the great festering ulcer of society; they were hideous to look upon, sickening to talk to. All life had turned to rottenness and stench in them — love was a beastliness, joy was a snare, and God was an imprecation. They strolled here and there about the courtyard, and Jurgis listened to them. He was ignorant and they were wise; they had been everywhere and tried everything. They could tell the whole hateful story of it, set forth the inner soul of a city in which justice and honour, women’s bodies and men’s souls, were for sale in the market place, and human beings writhed and fought and fell upon each other like wolves in a pit; in which lusts were raging fires, and men were fuel, and humanity was festering and stewing and wallowing in its own corruption. Into this wild-beast tangle these men had been born without their consent, they had taken part in it because they could not help it; that they were in gaol was no disgrace to them, for the game had never been fair, the dice were loaded. They were swindlers and thieves of pennies and dimes, and they had been trapped and put out of the way by the swindlers and thieves of millions of dollars.¹