Abstract
G. K. Chesterton says at the beginning of his Autobiography that his first memory was of ‘a young man walking across a bridge … he carried in his hand a disproportionately large key of a shining yellow metal and wore a large golden or gilded crown’. As he himself realised the image was a summation of the explorations of his life. It reflected the sense of immanent danger on either side of the bridge and the possibility of achieving an understanding of his life if he could only cross the bridge.
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Notes
These conclusions are drawn by D. Barker in G. K. Chesterton: A Biography (Constable, 1973), p. 50;
C. Hollis in The Mind of Chesterton (Hollis and Carter, 1970), p. 28.
Maise Ward’s Gilbert Keith Chesterton (Sheed and Ward, 1944), p. 70.
O. Wilde, ‘De Profundis’, The Complete Works of Oscar Wilde, intro. V. Holland (Collins, 1971), p. 920.
G. B. Shaw, The Bodley Head Bernard Shaw, vol. I. (Max Reinhardt, The Bodley Head, 1970), p. 483.
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© 1979 Lynette Hunter
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Hunter, L. (1979). Early Landscapes. In: G. K. Chesterton: Explorations in Allegory. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-16117-1_1
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DOI: https://doi.org/10.1007/978-1-349-16117-1_1
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