Abstract
Myth has become such a mazy academic subject, and the term is used and misused with such a variety of meaning that it is essential at the outset to state its implications for the present subject. I assume that myths are religious in origin, and relate to gods or similar personalized powers, that they were thought to reveal inescapable truths about the universe and nature, and that, even though their narrative features are fictitious, they can be used imaginatively by virtue of their original significance to reinforce or symbolize aspects of life.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
See Carl J. Weber, Hardy and the Lady from Madison Square (Waterville, Me., 1952), pp. 77 and 100–101.
Copyright information
© 1977 F. B. Pinion
About this chapter
Cite this chapter
Pinion, F.B. (1977). Hardy and Myth. In: Thomas Hardy: Art and Thought. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-15765-5_9
Download citation
DOI: https://doi.org/10.1007/978-1-349-15765-5_9
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-15767-9
Online ISBN: 978-1-349-15765-5
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)