Abstract
During his years in Ireland Sean O’Casey’s development progressed by a series of rejections. He was bom into an ugly, often hostile world, and was precluded from an ordinary education and normal social contacts by weak eyes. He therefore drew into himself, finding in books both a solace and a weapon. Armed with knowledge, he later turned angrily to face the society which had forced the misery and humiliation of poverty upon him, violently rejecting and rebelling against it. At first he identified his grievances with the woes of ‘Poor oul’ Ireland’; but his experience as a laborer and unionist convinced him that the Nationalists, to whom he had given himself, wanted only to redeem Ireland for the middle class. Widened sympathies then led him to reject in turn the cause of ‘Irish Ireland’, and to embrace the ideals of socialism. But when compromise and mediocrity threatened these ideals, he scorned the Irish labor movement, denouncing its leaders as philistines, and cast his whole hope on the day when the workers, triumphant, would realize a richer life. By the early 1920s his philo- sophic and political position had almost isolated him in Dublin, but he took heart in the victories of the Russian Bolsheviks, and, rejoicing, felt more confident than ever that the workers’ day of glory would come.
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© 1969 Ronald Ayling
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Coston, H. (1969). Prelude to Playwriting(1960). In: Ayling, R. (eds) Sean O’Casey. Modern Judgements. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-15301-5_1
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DOI: https://doi.org/10.1007/978-1-349-15301-5_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-07049-9
Online ISBN: 978-1-349-15301-5
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