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Deconstruction and Heart of Darkness

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Heart of Darkness

Part of the book series: Case Studies in Contemporary Criticism ((CSICC))

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Abstract

Deconstruction has a reputation for being the most complex and forbidding of contemporary critical approaches to literature, but in fact almost all of us have, at one time, either deconstructed a text or badly wanted to deconstruct one. Sometimes when we hear a lecturer effectively marshal evidence to show that a book means primarily one thing, we long to interrupt and ask what he or she would make of other, conveniently overlooked passages that seem to contradict the lecturer’s thesis. Sometimes, after reading a provocative critical article that almost convinces us that a familiar work means the opposite of what we assumed it meant, we may wish to make an equally convincing case for our former reading of the text. We may not think that the poem or novel in question better supports our interpretation, but we may recognize that the text can be used to support both readings. And sometimes we simply want to make that point: texts can be used to support seemingly irreconcilable positions.

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Deconstruction: A Selected Bibliography

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Murfin, R.C., Miller, J.H. (1996). Deconstruction and Heart of Darkness . In: Murfin, R.C. (eds) Heart of Darkness. Case Studies in Contemporary Criticism. Palgrave, London. https://doi.org/10.1007/978-1-349-14016-9_6

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