Abstract
A pervasive theme of Hardy’s writing is how things decay, yet how fully and abruptly they are alive. A haunting question is how they survive. Intellectual pressures are emotional pressures too, and for Hardy the implications both of evolutionary theory and of entropy bore in on the life of his fiction and his poems. They are often expressed as a struggle between individuality and energy. Hardy’s career as a writer developed alongside the emergence of the Decadent or fin-de-siècle movement in Britain, but he is not often set in a close relation to Decadent writing of the 1880s and 1890s. If we listen to some of the voices by which he was surrounded in the later part of his career we can hear resonances in his poetry and his fiction that we may otherwise miss. We can hear, too, the degree to which new scientific ideas about sound-waves, survival, and the ether of the universe unexpectedly gave Hardy ways out of the impasse of human mortality and decay.
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Notes
Quotations from Hardy’s poems are taken from The Complete Poems of Thomas Hardy, ed. James Gibson (London: Macmillan, 1976).
George Egerton, Discords (London: John Lane, 1894).
‘Virgin Soil’ reprinted in Victorian Short Stories: An Anthology, selected and introduced by Harold Orel (London: Dent, 1987) pp. 163–74.
For detailed discussion of these movements elsewhere in my work see Darwin’s Plots (London: Routledge, 1983) and essays on ‘The Death of the Sun’, ‘Wave Theory and the Rise of Modernism’ and ‘Leaps of the Prepared Imagination: Helmholtz, Tyndall, Hopkins’ now collected in Open Fields: Science in Cultural Encounter (Oxford: Oxford University Press, 1996).
The Life and Work of Thomas Hardy, by Thomas Hardy, ed. Michael Millgate (London: Macmillan, 1984) p. 406.
The Collected Letters of Thomas Hardy, ed. Richard Little Purdy and Michael Millgate (Oxford: Clarendon Press, 1978–88) vol. I, p. 235. Letter dated by the editors ‘May 1891?’
Quotations from The Well-Beloved are taken from the New Wessex Edition (London: Macmillan, 1975–6). Chapter references given in parenthesis in text.
Walter Pater, Studies in the History of the Renaissance (1873), later re-titled The Renaissance: Studies in Art and Poetry (London: Macmillan, 1910) p. 236.
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© 1996 Gillian Beer
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Beer, G. (1996). Hardy and Decadence. In: Pettit, C.P.C. (eds) Celebrating Thomas Hardy. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-14013-8_6
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