Skip to main content

Hardy and Decadence

  • Chapter

Abstract

A pervasive theme of Hardy’s writing is how things decay, yet how fully and abruptly they are alive. A haunting question is how they survive. Intellectual pressures are emotional pressures too, and for Hardy the implications both of evolutionary theory and of entropy bore in on the life of his fiction and his poems. They are often expressed as a struggle between individuality and energy. Hardy’s career as a writer developed alongside the emergence of the Decadent or fin-de-siècle movement in Britain, but he is not often set in a close relation to Decadent writing of the 1880s and 1890s. If we listen to some of the voices by which he was surrounded in the later part of his career we can hear resonances in his poetry and his fiction that we may otherwise miss. We can hear, too, the degree to which new scientific ideas about sound-waves, survival, and the ether of the universe unexpectedly gave Hardy ways out of the impasse of human mortality and decay.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Quotations from Hardy’s poems are taken from The Complete Poems of Thomas Hardy, ed. James Gibson (London: Macmillan, 1976).

    Google Scholar 

  2. George Egerton, Discords (London: John Lane, 1894).

    Google Scholar 

  3. ‘Virgin Soil’ reprinted in Victorian Short Stories: An Anthology, selected and introduced by Harold Orel (London: Dent, 1987) pp. 163–74.

    Google Scholar 

  4. For detailed discussion of these movements elsewhere in my work see Darwin’s Plots (London: Routledge, 1983) and essays on ‘The Death of the Sun’, ‘Wave Theory and the Rise of Modernism’ and ‘Leaps of the Prepared Imagination: Helmholtz, Tyndall, Hopkins’ now collected in Open Fields: Science in Cultural Encounter (Oxford: Oxford University Press, 1996).

    Google Scholar 

  5. The Life and Work of Thomas Hardy, by Thomas Hardy, ed. Michael Millgate (London: Macmillan, 1984) p. 406.

    Google Scholar 

  6. The Collected Letters of Thomas Hardy, ed. Richard Little Purdy and Michael Millgate (Oxford: Clarendon Press, 1978–88) vol. I, p. 235. Letter dated by the editors ‘May 1891?’

    Google Scholar 

  7. Quotations from The Well-Beloved are taken from the New Wessex Edition (London: Macmillan, 1975–6). Chapter references given in parenthesis in text.

    Google Scholar 

  8. Walter Pater, Studies in the History of the Renaissance (1873), later re-titled The Renaissance: Studies in Art and Poetry (London: Macmillan, 1910) p. 236.

    Google Scholar 

Download references

Authors

Editor information

Charles P. C. Pettit

Copyright information

© 1996 Gillian Beer

About this chapter

Cite this chapter

Beer, G. (1996). Hardy and Decadence. In: Pettit, C.P.C. (eds) Celebrating Thomas Hardy. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-14013-8_6

Download citation

Publish with us

Policies and ethics