Abstract
What we shall see with MacDonald and Kingsley is something quite new in the development of Christian fantasy. We shall find both trying by literary means to show, to make us feel, that God is present in nature and this world. In earlier literature God’s existence could be assumed, but now it is necessary to prove it. And, in order to do this convincingly, one must start from the apparently empirical facts of existence, not from any biblical or quasi-biblical narrative involving a priori assumptions. Thus each presents us with an image of the baffling character of experience, through which God or the miraculous must be apprehended. This holds good even though the reality that MacDonald presents is that of the inner world of the mind, and Kingsley’s that of the physical world. The tangle of mental imagery and potential error in MacDonald’s fantastic worlds is no different in terms of mundane reality from the confusing nature of the physical world in Kingsley’s. Between them the two could be said to cover the whole area of mundane experience, inner and outer, in order to trace God’s immanence. It is remarkable that the only Christian-fantasy writers of note in the nineteenth century should form this diptych.
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Notes
George MacDonald, The Princess and Curdie, 2nd edn (London: Chatto and Windus, 1888) p. 46.
MacDonald, ‘The Imagination’, A Dish of Orts, Chiefly Papers on the Imagination, and on Shakspere (London: Sampson Low, 1893) p. 25.
C. N. Manlove, ‘The Unconscious in MacDonald’s Fairy-tales’, in Modern Fantasy: Five Studies (Cambridge: Cambridge University Press, 1975) pp. 71–5.
For the source, see Novalis, Schriften, ed. Paul Kluckhohn and Richard Samuel, 3 vols (Stuttgart: Kohlhammer, 1960–68) III, 281, no. 237: ‘Unser Leben ist kein Traum — aber es soil und wird vielleicht einer werden.’
MacDonald, At the Back of the North Wind, 2nd edn (London: Blackie and Sons, 1886) p. 77.
G. K. Chesterton, Preface to Greville MacDonald, George MacDonald and his Wife (London: George Allen and Unwin, 1924) pp. 10–11;
C. S. Lewis (ed.), George MacDonald: An Anthology (London: Geoffrey Bles, 1946) pp. 19–20.
Tony Tanner, ‘Mountains and Depths — an Approach to Nineteenth-Century Dualism’, Review of English Literature, 3, no. 4 (Oct 1962) 52p–4.
Robert Lee Wolff, The Golden Key: A Study of the Fiction of George MacDonald (New Haven, Conn.: Yale University Press, 1961) p. 166.
George MacDonald, ‘Phantastes’ and ‘Lilith’ (London: Victor Gollancz, 1962) p. 83.
Ernst Robert Curtius, European Literature and the Latin Middle Ages, tr. W. R. Trask, Bollingen Series, XXXVI (New York: Pantheon, 1953) pp. 159–62.
C. S. Lewis, The Pilgrim’s Regress: An Allegorical Apology for Christianity, Reason and Romanticism, 3rd edn (London: Geoffrey Bles, 1943) p. 10.
MacDonald and his family toured the country presenting The Pilgrim’s Progress, Part 2, with MacDonald playing the part of Christian, from 1877 to 1889. See William Raeper, George MacDonald (Tring, Herts: Lion, 1987) pp. 338–58.
On this see C. N. Manlove, ‘Circularity in Fantasy: George MacDonald’, in The Impulse of Fantasy Literature (London: Macmillan, 1983) pp. 74–92.
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© 1992 Colin Manlove
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Manlove, C. (1992). George MacDonald’s Fairy Tales. In: Christian Fantasy. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-12570-8_13
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