Skip to main content

“The Pathology of Cultural Criticism”

  • Chapter
  • 18 Accesses

Abstract

The previous chapter has established the ideological basis for an analysis of authoritarianism and fascism in Lawrence’s works, and for the psychological profile that will be applied to some of Lawrence’s fictional characters. When determining the nature of the “fascist personality,” however, it is incumbent also to consider some of the “proto-fascist” ideological/artistic figures that preceded the period of National Socialism in Germany. The following analysis of the philosophies and personalities of three German theorists who led to the rise of fascism in that country therefore adds a practical element to the multi-faceted definition of fascism and authoritarianism that has so far been established.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   59.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Author information

Authors and Affiliations

Authors

Copyright information

© 1991 Barbara Mensch

About this chapter

Cite this chapter

Mensch, B. (1991). “The Pathology of Cultural Criticism”. In: D. H. Lawrence and the Authoritarian Personality. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-12455-8_3

Download citation

Publish with us

Policies and ethics