Abstract
The paradox which remains central to Thoreau’s development is that the expression of a vertical symbolic unity is dependent on relationships which are horizontal and metaphoric. It is only through an intimacy with the material world that transcendence can be truly perceived. Thus transcendence and materiality are shown to be compatible terms. However, the ultimate success for Thoreau lies in the expression of transcendence through the single fact — the bug in Waiden, the beach grass of Cape Cod and Mount Ktaadn in The Maine Woods are independent expressions of the same divinity. These objects evoke an individuality which powerfully radiates an otherness so that the activity of relating is seen as a transient state. By reaching a state of seamlessness they dramatically reflect the qualities of divinity as an omnipresent figure. Nature consistently reveals a process of stealthily drawing objects together to produce magnificent expressions of unity — identities, like Waiden Pond, which suggest none of the difficult associations evident in social intercourse. Therefore, even when accompanied on his adventures, Thoreau avoids the elements normally associated with good company and so conversations are generally extended enquiries while debate simply does not exist.
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Notes and References
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© 1992 Ron Callan
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Callan, R. (1992). Whitman: A New Distribution of Roles. In: William Carlos Williams and Transcendentalism. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-12116-8_3
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DOI: https://doi.org/10.1007/978-1-349-12116-8_3
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