Abstract
‘In truth,’ wrote Proust, ‘the events of a life present no interest when they are shorn of all the feeling which makes of them a poem.’ If we consider Hardy’ s novels from this perspective, it appears that he has written for the purpose of recreating ‘the feeling’ which is the poetic side of experience. Since Hardy was first and foremost a poet he trusted that poetry could best match the language of the mind. How and by what means could poetry achieve this quality? Cynthia Ozick1 claims that poetry achieves this through metaphor, because metaphor is the poetry-making faculty itself. So what we find in a poem is metaphoric truth. Evidently, for Hardy, the important truth he wished to communicate was metaphoric truth. In other words, he used his creative faculty to transform experience into metaphor with which he could recompose ‘the feeling’. Hence the depth and richness of his texts.
Metaphor alone can give a sort of eternity to style.
M. Proust
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Notes
Cynthia Ozick, ‘The Moral Necessity of Metaphor’, Harper’s Magazine, May 1976, p. 63.
J. Brooks, Thomas Hardy: The Poetic Structure ( London: Elek, 1971 ), p. 216.
Thomas Hardy, The Woodlanders, St. Martin’s Library Edition (London: Macmillan, 1964 ). All subsequent references to the novel in the body of the text are to this edition.
Ian Gregor, The Great Web: the Form of Hardy’s Fiction ( London: Faber and Faber, 1974 ), p. 144.
Rosemary Sumner, Thomas Hardy: Psychological Novelist ( London: Macmillan, 1981 ), p. 83.
C. G. Jung, On the Nature of the Psyche, Collected Works, vol. 8 (Princeton: Princeton University Press, 1981 ), p. 130.
Roy Morrell, Thomas Hardy: The Will and the Way (Kuala Lumpur: University of Malaya Press, 1965): see especially chapter X.
Irving Howe, Thomas Hardy ( London: Weidenfeld and Nicholson, 1968 ), p. 104.
Douglas Brown, Thomas Hardy ( London: Longmans, 1962 ), p. 84.
F. E. Hardy, The Life of Thomas Hardy 1840–1928 ( London: Macmillan, 1968 ), p. 220.
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© 1993 Norman Page and Peter Preston
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ŌzgŪven, A. (1993). The Woodlanders: A Metaphor of Character. In: Page, N., Preston, P. (eds) The Literature of Place. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-11505-1_5
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